6.8/10
8,578
163 user 71 critic

Cradle Will Rock (1999)

R | | Drama | 21 January 2000 (USA)
A true story of politics and art in the 1930s U.S., focusing on a leftist musical drama and attempts to stop its production.

Director:

Tim Robbins

Writer:

Tim Robbins
5 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Hank Azaria ... Marc Blitzstein
Rubén Blades ... Diego Rivera
Joan Cusack ... Hazel Huffman
John Cusack ... Nelson Rockefeller
Cary Elwes ... John Houseman
Philip Baker Hall ... Gray Mathers
Cherry Jones ... Hallie Flanagan
Angus Macfadyen ... Orson Welles
Bill Murray ... Tommy Crickshaw
Vanessa Redgrave ... Countess Constance La Grange
Susan Sarandon ... Margherita Sarfatti
Jamey Sheridan ... John Adair
John Turturro ... Aldo Silvano
Emily Watson ... Olive Stanton
Bob Balaban ... Harry Hopkins
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Storyline

In 1930s New York Orson Welles tries to stage a musical on a steel strike under the Federal Theater Program despite pressure from an establishment fearful of industrial unrest and red activity. Meanwhile Nelson Rockefeller gets the foyer of his company headquarters decorated and an Italian countess sells paintings for Mussolini. Written by Jeremy Perkins

Plot Summary | Add Synopsis

Taglines:

On 12.10.99, make history. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some language and sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian

Release Date:

21 January 2000 (USA) See more »

Also Known As:

Abajo el telón See more »

Filming Locations:

USA See more »

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Box Office

Budget:

$36,000,000 (estimated)

Opening Weekend USA:

$93,998, 12 December 1999

Gross USA:

$2,903,404

Cumulative Worldwide Gross:

$2,986,932
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

After Diego Rivera's "Man at the Crossroads" mural was destroyed in 1933 at the Rockefeller Center, the artist recreated it in 1934. Using black and white photos of his New York mural, Rivera painted a smaller mural in Mexico City's Palace of Fine Arts. He made some changes in this painting. He added more of the early leaders of communism - Leon Trotsky, Friedrich Engels and Karl Marx. He called his new mural, "Man, Controller of the Universe." See more »

Goofs

When Tommy Crickshaw and Hazel Huffman are discussing communism, the camera shot from behind Crickshaw shows his hand in a fist, cut to the next shot facing him, his hand is stretched out. See more »

Quotes

Sophie Silvano: It's a dangerous play you're in.
Aldo Silvano: It's a great role.
See more »

Crazy Credits

There is a heart in the credit roll with the following initials inside; SS, EMLA, JHR & MGR (SS is likely 'Susan Sarandon,' EMLA for Sarandon's daughter Eva Amurri, JHR & MGR for Robbins' & Sarandon's sons Jack Henry & Miles Robbins). See more »


Soundtracks

Croon Spoon
Written by Marc Blitzstein
Performed by Eddie Vedder and Susan Sarandon
Courtesy of RCA Records
See more »

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User Reviews

Robbins/Sarandon Manifesto
22 March 2003 | by Ken MSee all my reviews

This is a romantic look at 1930's liberalism, with a ham-handed script that pits the evil fascists against the enlightened intellectuals.

It tries to be a little of everything, and doesn't quite pull it off. It alternates from a comedy, to poignant vignettes of depression era poverty, to a musical, to farce, to political drama. I just felt Robbins couldn't make up his mind as what this film was supposed to be. I am guessing that most of it wound up on the cutting room floor, and maybe a longer film would have allowed some of these themes to develop more completely.

It has one of the largest casts I've ever seen. It seems everyone in Hollywood wanted to get in on this one.

The biggest problem I had with the film was that if you weren't one of the warmly-portrayed socialists, then you were either a simple minded right wing alarmist, or a big businessman in bed with the fascists.

One thing is clear - Robbins and Sarandon yearn for the days when being part of the far, far left was fashionable.


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