Maximus is a powerful Roman general, loved by the people and the aging Emperor, Marcus Aurelius. Before his death, the Emperor chooses Maximus to be his heir over his own son, Commodus, and a power struggle leaves Maximus and his family condemned to death. The powerful general is unable to save his family, and his loss of will allows him to get captured and put into the Gladiator games until he dies. The only desire that fuels him now is the chance to rise to the top so that he will be able to look into the eyes of the man who will feel his revenge.Written by
Chris "Morphy" Terry
The prop snow in the opening battle scene and aftermath, was created by using little pieces of rolled up paper. See more »
After the battle with the Germanians, the next morning after the tavern, Maximus is walking in the army camp and he feeds a horse a piece of apple. If you look closely between him and the horse, there is a crewman wearing a pair of blue jeans. See more »
So Spaniard, we shall go to Rome together and have bloody adventures. And the great whore will suckle us until we are fat and happy and can suckle no more. And then, when enough men have died, perhaps you will have your freedom.
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Both the Dreamworks & Universal logos are altered to appear gold in color so they match the opening theme of Maximus walking through a wheatfield. See more »
Numerous deleted scenes that were left out of the film were compiled onto the DVD release. All scenes with the exception of the mini-film come with an exclusive Audio Commentoary by Ridley Scott. They are:
A brief scene showing Maximus surveying the cost of the Battle with the Germanians. They are hacked and dying Roman's everywhere.
A brief scene preluding the confrontation of Marcus Aurelius and Commodus. It shows Marcus praying to his ancestors for wisdom.
Friends of Proximo try to get him to bet against his own gladiators. We are also introduced to Hagan, the German in this scene.
Proximo tries to reason with Maximus as to not killing his opponents so quickly but to entertain the crowd.
Maximus watches condemmed Christians executed in the arena as they are fed to the lions.
Lucilla, Gracchus and Gaius have an important meeting in Gracchus' house. They discuss the future death of the Roman People as her brother Commodus is selling the grain reserve to pay for the games. They conclude that Commodus must die.
Commodus, dismayed by the re-appearence of Maximus, attacks a bust of his father with a sword.
Two of the Praetorians that knew of Maximus's escape from Germania, are executed by Commodus. Quintus and Commodus have an argument.
Commodus orders his spies to watch senators and Proximo. Proximo notices one of his followers.
Lucilla realizes that Falco is in league with Commodus.
Praetorians attack innocent civilains by setting them on fire.
Germania, 150 AD, the setting of Gladiator's opening scene. Far from the blazing sun and dazzlingly beauty of ancient Rome, Ridley Scott shoots the opening sequence in a subdued light. The Roman legions are nonetheless impeccably turned out as they face the comparatively disorganised rabble that inhabits this miserable environment. Caesar's soldiers seem somewhat misplaced here. However, Russell Crowe is at home in this environment of knee-deep mud and merciless snow. He commands the screen with all the virtues of his motto: Strength and Honour.'
The plot, with its hero-to-zero-to-hero nature, runs through Gladiator's every vein. As General Maximus, Russell Crowe is welcomed by Marcus Aurelius Caesar (Richard Harris) to take the Roman throne as Emperor of a new Republic. All does not run smoothly however as mislead heir to the throne Commodus (Phoenix) takes over Rome with ill-gotten domination, having dispatched his own Father. Maximus is cast out to find his family murdered and his Spanish farm burnt to the ground. Taken in as a slave by Proximo (Reed), Maximus becomes a Gladiator and starts his journey to the Coliseum and revenge against Commodus.
Scott's cast is powerful and he is not left wanting as powerful performances are delivered by all. Due to his untimely mid-production death, Oliver Reed is created in some scenes by the grace of computer graphics, which are as convincing as they come; sometimes making it difficult to differentiate between Reed himself and his computerised counterpart.
It is, however, the supporting actors who create many of Gladiator's best dialogue-based scenes. In an accomplished demonstration of her acting ability as Lucilla, Connie Nielsen saves the occasional scene as Joaquim Phoenix shows us that he can do evil', but is less convincing when it comes to the more emotional qualities of his role.
As a vehicle for the plot, Scott's beautifully created and highly symbolic (there is an image of fire in nearly every shot of the film) dialogue scenes are of a certain merit with digitally created backgrounds that encompass the meticulous nature of the Roman Empire. However, dialogue alone does not an epic movie make, and it is in the film's spectacular action sequences that Gladiator come into its own. Shot on location in Malta, Scott's first arena was built by an army of locals and commanded some 5000 extras (a large majority of whom were of a cardboard variety). All of this pales in comparison as we arrive in a digitally created Rome which makes some scenes in Ben Hur some somewhat small scale. The Coliseum is immense, both inside and out, and the computerised provides the electric atmosphere in which Crowe and his feline companions (four sizeable, and real, Bengal tigers) perform.
The battle sequences are perfectly choreographed and shot as iconic masks and typically Roman chariots are abundant in their power and imagery. As swords clash and heads roll, Ridley Scott is triumphant in the application of special effects technology and his directorial prowess.
Always one to embrace technology, Scott's views over Rome's landscape are reminiscent of the beautifully created cityscape of Blade Runner. This is a film that fears so little and boasts so much, even a lady archer being sliced clean in half by a spiked chariot wheel!
All those involved with Gladiator should be delighted and confident with their creation, for indeed this is a convincing and enthralling display with epic proportions to take the wind from James Cameron's titanic sails.
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