Sara Goldfarb (Ellen Burstyn) is a retired widow, living in a small apartment. She spends most of her time watching TV, especially a particular self-help show. She has delusions of rising above her current dull existence by being a guest on that show. Her son, Harry (Jared Leto) is a junkie but along with his friend Tyrone (Marlon Wayans) has visions of making it big by becoming a drug dealer. Harry's girlfriend Marion (Jennifer Connelly) could be fashion designer or artist but is swept along in Harry's drug-centric world. Meanwhile Sara has developed an addiction of her own. She desperately wants to lose weight and so goes on a crash course involving popping pills, pills which turn out to be very addictive and harmful to her mental state.Written by
Darren Aronofsky initially wanted the three main heroin addicts featured in the film (Harry, Marion, and Tyrone) to be much younger than they were in Hubert Selby Jr.'s novel and screenplay. Aronofsky felt that changing the principal characters' ages to around 14 to 16 would further demonstrate the devastating impact of drugs and lead to a greater emotional reaction from the audience. Selby agreed with the director, however the film's producers felt that American audiences would find the film too horrific if young teenagers were to experience such awful events. Selby and Aronofsky lobbied for the characters to be made younger, but producers argued that the film could not be shown in theaters if the protagonists were made out to be teens. Selby acquiesced to the point, but Aronofsky only reluctantly agreed to continue the project with the older characters. See more »
(at around 1h 27 mins) When Harry calls Marion from the hospital she picks the phone up with her right hand and puts it on her left ear but when the camera focuses on her it's on her right ear. This is almost certainly a mirror shot, not a mistake. See more »
I'm somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they'll all like me. I'll tell them about you, and your father, how good he was to us. Remember? It's a reason to get up in the morning. It's a reason to lose weight, to fit in the red dress. It's a reason to smile. It makes tomorrow all right. What have I got Harry, hm? Why should I even make the bed, or wash the dishes? I do them, but why should I? I'm alone. Your father's gone, you're gone. I got no one to ...
[...] See more »
The opening credits each disappear as if being melted like heroin. See more »
In the opening credits for the edited version, when the title card "Requiem for a Dream" crashes down, underneath it is a red box with red lettering that reads "edited version", making it clear to the viewer that they are not seeing the true version of the film. See more »
Bialy & Lox Conga
Performed by The Moonrats
Marcel Reginatto - Saxophone, Vocals Brian Emrich - Bass Guitar, Vocals
Oscar Oñoz - Trumpet, Vocals
Theodore Birkey - Keyboards, Vocals Tico Torres (as Hector Torres) - Percussion, Vocals Darren Aronofsky - Vocals
Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC See more »
The film-making quality is secondary- this film makes you FEEL
Often hype about films lead to disappointment and after waiting 14 months after release for my local cinema to show this film, I was done thinking about it. Thank goodness too, rather than challenge my brain (not hard to do unfortunately) this film went straight for the heart, ripped it out and kicked it around the floor for 90 minutes. As the addictions plunged further into the depths of Hell, I felt myself more and more arrested by the film. I've never left a film shaking or feeling physically ill- not including Pearl Harbour, of course :) You want to look away, but cannot.
This movie is by no means flawless, but then again I would like to hope that the flaws add to the gritty reality of the film. The ending was truly the most frightening thing I have ever seen in film- forget the cheap scares of The Exorcist, Psycho and the endless bile of the 'slasher flick', this stuff is REAL.
In a country amid a 'war against drugs' this is a powerful film which could do more to turn kids away from drugs than any measly government "task-force" or classroom lecture.
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