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Gone in 60 Seconds (2000)

Gone in Sixty Seconds (original title)
PG-13 | | Action, Crime, Thriller | 9 June 2000 (USA)
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A retired master car thief must come back to the industry and steal fifty cars with his crew in one night to save his brother's life.

Director:

Dominic Sena

Writers:

H.B. Halicki, Scott Rosenberg (screenplay)
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Popularity
1,020 ( 504)
9 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Nicolas Cage ... Memphis Raines
Giovanni Ribisi ... Kip Raines
Angelina Jolie ... Sara 'Sway' Wayland
T.J. Cross T.J. Cross ... Mirror Man (as TJ Cross)
William Lee Scott ... Toby
Scott Caan ... Tumbler
James Duval ... Freb
Will Patton ... Atley Jackson
Delroy Lindo ... Det. Roland Castlebeck
Timothy Olyphant ... Detective Drycoff
Chi McBride ... Donny Astricky
Robert Duvall ... Otto Halliwell
Christopher Eccleston ... Raymond Calitri
Vinnie Jones ... The Sphinx
Grace Zabriskie ... Helen Raines
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Storyline

Car theft in Long Beach went down 47% when Randall "Memphis" Raines walked away from the life. He gets dragged back into it by assuming the job his brother Kip screwed up for stolen-car broker Raymond Calitri: steal 50 exotic cars and have them on a container ship by 8 AM Friday morning, and he got this news on a Monday. With Calitri threatening to kill him and Kip, and the police GRAB unit breathing down his neck, Memphis reassembles his old crew and attempts to pull off the logistically impossible. Written by Jeff Cross <blackjac_1998@yahoo.com>

Plot Summary | Plot Synopsis

Plot Keywords:

auto theft | car | brother | thief | theft | See All (117) »

Taglines:

Lock your car or it may be... GONE IN 60 SECONDS See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for violence, sexuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

9 June 2000 (USA) See more »

Also Known As:

Gone in 60 Seconds See more »

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Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend USA:

$25,336,048, 11 June 2000, Wide Release

Gross USA:

$101,648,571

Cumulative Worldwide Gross:

$237,202,299
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The role of Sara "Sway" Wayland was written especially for Angelina Jolie. See more »

Goofs

When they start the boost, it shows the crew starting five cars, but when the names are read off to mark the cars stolen, there are only four names. See more »

Quotes

Freb: The corner of Wiltern and Wetherley... Tumbler messed up, he said the Porsche should be at the corner of Wiltern and Wetherly.
Kip: There it is.
Mirror Man: You're bullshitting me, right? 9024 Wiltern?
Kip: I gotta get my tool.
Mirror Man: Kip! He ain't bullshitting, man!
[Kip opens the boot, retrieves half a brick]
Mirror Man: Kip that's not a tool... that's a damn brick! Kip, man we gonna use a brick, we may as well call prison and make reservations!
See more »

Crazy Credits

Before the end credits begin the screen goes black. When this happens we hear Memphis' car stall and he says "Oh don't do this to me!" See more »

Alternate Versions

Director's cut DVD contains nine additional minutes. See more »

Connections

Referenced in Top Gear: Episode #2.1 (2003) See more »

Soundtracks

Rap
Written by Andrew Cato (as Andrew Cocup) and Tom Findlay
Performed by Groove Armada
Courtesy of Jive Electro/Pepper Records
See more »

Frequently Asked Questions

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User Reviews

 
Not trying to be an epic: just a fun, simple B-movie.
24 December 2008 | by garydiamondSee all my reviews

As much as I like big epic pictures - I'll spare you the namedropping - it's great to kick back with a few beers and a simple action flick sometimes. Films where the plot takes a backseat to the set-pieces. Films where the dialogue isn't so cleverly written that it ties itself in endless knots of purple prose. There are HUNDREDS of films that fit the bill... but in my opinion Gone In Sixty Seconds is one of the better ones.

It's an update of the movie that shares its name. It also shares that picture's ethos, but not quite it's execution. Whatever was great about the original has been streamlined. Whatever was streamlined was also amped up thanks to a bigger budget. Often these kinds of endeavours are recipes for complete disaster - see the pug-ugly remake of The Italian Job for one that blew it - but here, thanks to a cast of mostly excellent actors, Sixty succeeds.

The plot and much of the dialogue isn't much to write IMDb about. Often you'll have scenes where the same line of dialogue goes back and forth between the actors, each of whom will voice it with different inflections. A lot of people found this annoying; I find it raises a smile. Each actor gets a chance to show off his or her definition of style here, with Cage, Jolie and Duvall leading the pack of course (and it should be noted that it's also amusing to see Mrs Pitt not given first billing here). The chemistry between good ol' Saint Nick the stalwart (see date of review) and Angelina leads to a couple of nice moments.

The villain is not even a little scary - I've seen Chris Eccleston play tough-guy roles before so I know he can handle them, but I think he was deliberately directed to make his role inconsequential as not to distract from the action. We know the heroes are going to succeed, somehow; we're just sitting in the car with them, enjoying the ride. I think a lot of these scenes were played with tongue so far in-cheek that it went over the heads of a lot of people giving this a poor rating. In fact, I wouldn't have minded some fourth-wall breaking winks at the camera: it's just that kind of movie.

All this style and not so much substance - something that often exhausts my patience if not executed *just* so - would be worthless if the action wasn't there. And for the most part, it is. Wonderfully so. I've noticed that it seems to be a common trend to be using fast-cut extreme close-up shots to direct action these days. I personally find this kind of thing exhausting. I prefer movies like this where the stunts are impressive enough to not need artificial tension ramping by raping tight shots all the time. I've been told that Cage actually did as many of the car stunts as he could get away with without losing his insurance (in real life I mean - his character clearly doesn't care) and it shows. The man can really move a vehicle and this is put to good use in the slow-burning climatic finale where he drives a Mustang into the ground in the most outlandish - and FUN - way possible.

So yes, this movie isn't an "epic, life-affirming post-9/11 picture with obligatory social commentary" effort. The pacing is uneven, some of the scenes could have been cut and not all the actors tow the line. But car movies rarely come better than this. So if you hate cars... why are you even reading these comments?!

I'd take it over the numerous iterations of "The Flaccid And The Tedious" (guess the franchise) any day. 7/10


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