6.9/10
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61 user 47 critic

L'Humanité (1999)

L'humanité (original title)
Not Rated | | Drama, Mystery | 27 October 1999 (France)
When an 11-year-old girl is brutally raped and murdered in a quiet French village, a police detective who has forgotten how to feel emotions--because of the death of his own family in some kind of accident--investigates the crime, which turns out to ask more questions than it answers.

Director:

Bruno Dumont

Writer:

Bruno Dumont

On Disc

at Amazon

3 wins & 3 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
Emmanuel Schotté ... l'inspecteur de police Pharaon De Winter
Séverine Caneele ... Domino
Philippe Tullier Philippe Tullier ... Joseph
Ghislain Ghesquère Ghislain Ghesquère ... Le commissaire de police
Ginette Allègre Ginette Allègre ... La mére de Pharaon
Darius Darius ... L'infirmier (as Daniel Leroux)
Daniel Petillon Daniel Petillon ... Jean - un policier
Robert Bunzi Robert Bunzi ... Le policier anglais
Dominique Pruvost Dominique Pruvost ... L'ouvrier virulent
Jean-Luc Dumont Jean-Luc Dumont ... Le CRS
Diane Gray Diane Gray ... La voyageuse anglaise
Paul Gray Paul Gray ... Le voyageur anglais
Sophie Vercamer Sophie Vercamer ... Une ouvrière
Murielle Houche Murielle Houche ... Une ouvrière
Pascaline Guyot Pascaline Guyot ... Une ouvrière
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Storyline

In a town near Lille, melancholy police superintendent Pharaon De Winter lives with his mother. An 11-year-old girl has been raped and murdered. Over the next week, De Winter investigates and grieves, his face nearly expressionless. He bikes, he gardens. He accompanies his neighbors, Joseph and Domino, to dinner and to the seaside; he even observes them in vigorous if not rough coitus. For Domino, sex seems her way of connecting. Does she fancy Pharaon? A plowed field, the sea, Pharaon's flowers, the pudenda of Domino and of the ravaged girl - this mix of images of beauty, evil, and possibility assaults Pharaon as he tries to do his job and hold on to his humanity. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Mystery

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French | English

Release Date:

27 October 1999 (France) See more »

Also Known As:

Humanité See more »

Filming Locations:

Bailleul, Nord, France

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Box Office

Opening Weekend USA:

$10,075, 18 June 2000

Gross USA:

$113,495
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(The DVD of this film runs for *exactly* 2 hours, 21 minutes, and 30 seconds.)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

French visa # 90719 delivered on 19-10-1999. See more »

Quotes

[first lines]
l'inspecteur de police Pharaon De Winter: I'm coming.
See more »

Alternate Versions

Italian distributor BIM originally removed about 2 minutes of sex footage from the Italian theatrical release in order to avoid a 'not under 18' rating. When the press criticized this self-censorship attempt, the distributor reissued the film in its original, integral form. See more »


Soundtracks

Le Vertigo, Rondeau. Modérément
from "Pièce de Clavecin"
Music by Pancrace Royer
Performed by William Christie
Courtesy of harmonia mundi
See more »

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User Reviews

An involving and disturbing film
12 May 2003 | by howard.schumannSee all my reviews

"The power of cinema lies in the return of man to the body, to the heart, to truth" - Bruno Dumont

In L'Humanite, by Bruno Dumont (La Vie de Jesus), Pharaon de Winter (Emmanuel Schotte) is a Police Superintendent called upon to investigate the murder and rape of an 11-year old girl. Flaunting almost every cinematic convention, the film is not about solving a crime but a 2 1/2-hour poem of mood, time, silence and spirit. Set in northern France in the director's hometown of Bailleul, the characters are unglamorous members of the working class. Dumont devotes long stretches of the film to simply observing Pharaon going about his life: eating an apple, tending his garden, watching a soccer game on television, interacting with his mother, or being a friend to his neighbor Domino (Severine Caneele), a rugged factory worker and her obnoxious bus-driver boyfriend Joseph (Philippe Tullier). He is an unlikely cop, a passive, stoop-shouldered, and empathetic man who would sooner kiss a prisoner on the lips or stroke his neck as browbeat him. Pharaon sees the suffering of the world and wants to hold it in his hands and stroke it. Schotte's performance is so expressive that his best actor award at Cannes was criticized because most people thought he wasn't acting, just being himself.

As the film opens, a man is walking in the distance alone across a grassy hill. Suddenly as the camera moves in for a close-up, he collapses in the mud and just lays there for a while. Is he dead or alive? Did he commit the crime? In the next scene, he is sitting in his car listening to harpsichord music and we discover that he is a policeman talking in a barely audible voice to his superior. The film cuts away to the battered body of an 11-year old girl, her torn and bloody vagina graphically shown as the police gather. Pharaon maintains the same anguished, enigmatic look on his face throughout that makes us uncertain if he is the murderer or the Second Coming of Christ. We know very little about him except that he "lost" his wife and child a few years ago, but it is never made clear whether he lost them or they lost him. Signs of passion or involvement are rare but come with a sudden ferocity, as when he is walking across the crime scene and starts to scream at the top of his lungs, a sound drowned out only by the passing Eurostar train.

L'Humanite is an involving and disturbing film that you cannot feel lukewarm about. It is profoundly moving but often agonizingly slow and virtually unwatchable in some of its graphic details (you may never want to have sex again after watching these mechanical exercises). The climax of the film is as perplexing as the beginning with an ambiguous resolution that I'm not quite sure what to make of. What I do know is that I felt as vitally alive watching this film as I did the first time that I saw Leolo by Jean-Claude Lauzon. L'Humanite is a breath of fresh air on the turgid cinema landscape and Dumont is as honest and challenging a director as I've seen in quite a long time. His film continually forces us to question what we are looking at and, as the title suggests, keeps bringing us closer and closer to the core of what makes us truly human.


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