Brother Edgar is a generous entrepreneur of low quality socks who hides behind a self-bestowed cassock to avoid the low level corruption of local sheriffs. He has adopted Morales Pittman, ... See full summary »
The hit musical based on the life of Evita Duarte, a B-picture Argentinian actress who eventually became the wife of Argentinian president Juan Perón, and the most beloved and hated woman in Argentina.
An ancient skeleton has been discovered in Jerusalem in a rich man's tomb. Coloration of the wrist and leg bones indicates the cause of death was crucifiction. Other signs, include a gold coin bearing the marks of Pontius Pilate and faint markings around the skull, lead authorities to suspect that these could be the bones of Jesus. Politicians, clerics, religious extremists, and those using terror as a means to an end, find their beliefs and identities tested while risking their lives to unearth the truth.
This movie had been in development for fifteen years, with Universal Pictures intending to distribute and Liam Neeson set to star. In the end, the project was dropped after Universal became nervous about the religious themes. See more »
When Sharon Golban is at the airport to pick up Father Matt Gutierrez, she leaves the keys in the ignition. When she returns, she takes her keys from her pocket. See more »
[Reading from Father Gutierrez's file]
I believe that Jesus Christ is God because I spoke to Him this morning in my prayers. And I've known that He was God since I was a boy. He has always been my best friend even though I haven't always been His. In Him, I have peace.
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Once again Antonio Banderas shows us he can act well. I mark the film 9 out of 10, especially given the risks run by all those involved in making this film on site, in Jerusalem. I am staggered that the film could be made in Jerusalem at all, with all the differing Christian, Jewish and Palestinian groups and splinter groups so well depicted, if fictionalised in their representation. The violent scenes may not drip the blood of a Tarantino movie but it is enough to convey the "to the death" intolerance of each other that so shamefully characterise so many of these groups and splinter groups today. The actors and the script show the intensity of so many who refuse to acknowledge/accept the rights of the others - to their differing faith, or even to exist. The film brilliantly reminds us of how these groups and splinter groups lose sight of the essential truth of their own faith/belief system in their violent intolerance of the other. This is the key to facing the stark reality of the intractability of the various players in the Middle East which the film so well depicts. Especially it underlines these groups and splinter groups' willingness to misuse/abuse: the innocent trying simply to live peacefully with their families; the combatants' own faith/followers; as well as that of those they oppose. The tragedy of the Middle East is that, I believe, the same fate would befall the ancient prophets of these faiths, were they alive today, as befell them centuries/millennia ago. The religiously-intolerant attacks by some on this film simply demonstrate how correct this belief is. The actors, film director and all those others involved in making this film deserve congratulations for their courage in making it on site - despite the risks to themselves from the intolerant.
Greyollie, Canberra, Australia.
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