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Big Momma's House (2000)

PG-13 | | Action, Comedy, Crime | 2 June 2000 (USA)
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In order to protect a beautiful woman and her son from a robber, a male FBI agent disguises himself as a large grandmother.

Director:

Raja Gosnell

Writers:

Darryl Quarles (story), Darryl Quarles (screenplay) | 1 more credit »
1 win & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Martin Lawrence ... Malcolm Turner
Nia Long ... Sherry Pierce
Paul Giamatti ... John
Jascha Washington ... Trent Pierce
Terrence Howard ... Lester Vesco (as Terrence Dashon Howard)
Anthony Anderson ... Nolan
Ella Mitchell Ella Mitchell ... Hattie Mae Pierce (Big Momma)
Carl Wright ... Ben Rawley
Phyllis Applegate ... Sadie
Starletta DuPois ... Miss Patterson
Jessie Mae Holmes Jessie Mae Holmes ... Miss Other Patterson
Nicole Prescott Nicole Prescott ... Lena
Octavia Spencer ... Twila (as Octavia L. Spencer)
Tichina Arnold ... Ritha
Cedric the Entertainer ... Reverend
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Storyline

FBI agent Malcolm Turner is known best for being a brilliant, master of disguise. Malcolm's latest assignment sends him to small-town Georgia, where he's assigned to trap a brutal bank robber (and a recent prison escapee) who they suspect will be coming down to visit his ex-girlfriend Sherry and her son. Malcolm sets up a stakeout across from the home of a larger-than-life southern matriarch known as Big Momma, who's about to be visited by Sherry. It's a simple plan, but there's one big problem: Unbeknownst to Sherry, Big Momma has unexpectedly left town. So Malcolm, decides to impersonate the cantankerous Southern granny. Using a few tricks of disguise, he completely transforms himself into Big Momma, even taking on the corpulent septuagenarian's everyday routine-from cooking soul food to delivering babies to "testifying" at the local church. In the mean time, Malcolm starts falling for Sherry, who may or may not be hiding some stolen cash. Now, Malcolm/Big Momma must somehow find a ... Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

This FBI agent is going undercover... and he's concealing more than a weapon. See more »

Genres:

Action | Comedy | Crime

Motion Picture Rating (MPAA)

Rated PG-13 for crude humor including sexual innuendo, and for language and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Germany

Language:

English

Release Date:

2 June 2000 (USA) See more »

Also Known As:

Mi abuela es un peligro See more »

Filming Locations:

Glendale, California, USA See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$25,661,041, 4 June 2000, Wide Release

Gross USA:

$117,559,438

Cumulative Worldwide Gross:

$173,959,438
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS | DTS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

One of only four films to be released on the short-lived Enhanced Versatile Disc (EVD) format. See more »

Goofs

During the church scene, the choir stands for Happy Day, in the close shot, the choir is sitting, then standing in the next shot. See more »

Quotes

Big Momma: Somebody better tell me something, cause this show is some freaky shit.
See more »

Alternate Versions

For the UK version the distributor chose to cut eight seconds of violence in the opening martial arts scene, and a head butt in a later scene, in order to achieve a "12" rating. Initial video releases used this same print. All cuts were waived in 2011, and is currently available uncut in the UK with a "12" certificate. See more »

Connections

Referenced in The King of Queens: Ice Cubed (2005) See more »

Soundtracks

Yes We Can
Written by Allen Toussaint
Performed by The Pointer Sisters
Courtesy of MCA Records
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

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User Reviews

 
Not excellent, but often funny
31 July 2001 | by mattymatt4everSee all my reviews

Martin Lawrence is often trusty in the world of comedy. Maybe I'm just overcoming his awful "Blue Streak," but I felt this comedy--though saggy at times--was quite funny. The premise is undoubtedly implausible. How's a whole neighborhood going to believe that this undercover cop with a latex body that looks somewhat like Big Momma is actually Big Momma? There's a lot of disbelief to suspend. But the gags often worked and I can say I laughed about 75 percent of the time. Some are predictable, like when Big Momma takes a karate class and starts beating the teacher--played by Anthony Anderson--to a pulp, but they still work due to the way they're handled. And Lawrence turns in yet another fine comic performance, with a script that could've used a rewrite but was nowhere near as bad as the crackerjack script he had to work with in "Blue Streak." The talented comic helps keep the movie togehter, with a little assistance from the supporting cast. Paul Giamatti, who was great as Pig Vomit in the acclaimed "Private Parts," is funny as Lawrence's partner. We also have "Me Myself and Irene's" Anthony Anderson and Cedric the Entertainer.

The plot is chaotic, sometimes predictable, and becomes more and more implausible by the minute but the comedy works and because of that we're able to excuse the script's shortcomings. "Big Momma" doesn't deliver the biggest laughs, but it's good, fun entertainment on a lonely weekday afternoon.

My score: 7 (out of 10)


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