Luciana, a poor, young woman working as a maid in the venerable Velarde home, falls in love with young seminary student Juan de la Cruz, the Velarde's son. The night before Juan is to ...
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Luciana, a poor, young woman working as a maid in the venerable Velarde home, falls in love with young seminary student Juan de la Cruz, the Velarde's son. The night before Juan is to return to the seminary, he and Luciana give in to their feelings and spend a night together. A short time after Juan leaves, Luciana discovers she is pregnant and is forced to tell Ana Joaquina, Juan's cruel mother, that Juan is the father. Mercilessly fired and thrown out of the house, Luciana is left homeless and penniless on the streets. On a cold, rainy night, Luciana gives birth to a baby girl. Terrified and alone, Luciana makes the painful decision to leave her baby on the doorstep of a mansion in hopes that someone else could give her daughter a better life. Twenty years later, Luciana has now become Luciana Duval: a renowned and respected business woman in the fashion world. As the owner of her own fashion empire, Luciana seems to have it all: success, wealth, fame, a handsome and loving husband ...Written by
I am very sorry to say this but some remakes are not worthy at all. If you had seen the Venezuelian version of this soap opera, the incredible "Crystal", you'd understand what I am saying. This pale version of a wonderful story is completely sunk by the mediocre performances of the 'senior' actors. Andres Garcia is the most dramatic case as he and some of his colleagues in this production seem to be needing immediate acting courses. I am also very disappointed by Helena Rojo who gives to her character a total immature perspective which lacked in the brilliant and spiritual performance of the amazing Lupita Ferrer. In fact, this Mexican version cannot stand the comparison. The only two actresses who give their best are Cynthia Klitbo and Jacqueline Voltaire. They add to their mother-daughter relationship all the characteristics of a strained love affair. Besides, they are tragic and funny at the same time. But the worst of all, I think, is the miscasting of the leading couple. While Adela Noriega cannot convince anyone that she is a model or a responsible mother, her partner, Rene Stickler, is completely lost in his boring grimaces, never getting to know what his role is in this love story. I longed for the desire, passion and chemistry displayed in every chapter by Jeannette Rodriguez and Carlos Mata in the original version. And even though Mexican girls are not at all as beautiful and exuberant as the Venezuelian actresses, I think that the characters of Lorenza and Lisbeth deserved more accomplished professionals. Where are Mariela Alcala and Gigi Zanchetta when we need them?
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