Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
Actor Bruce Willis and writer/director M. Night Shyamalan reunite after the surprise success of The Sixth Sense for this supernatural thriller. David Dunn (Willis) is taking a train from New York City back home to Philadelphia after a job interview that didn't go well when his car jumps the tracks and collides with an oncoming engine, with David the only survivor among the 131 passengers on board. Astoundingly, David is not only alive, he hardly seems to have been touched. As David wonders what has happened to him and why he was able to walk away, he encounters a mysterious stranger, Elijah Prince (Samuel L. Jackson), who explains to David that there are a certain number of people who are "unbreakable" -- they have remarkable endurance and courage, a predisposition toward dangerous behavior, and feel invincible but also have strange premonitions of terrible events. Is David "unbreakable"? And if he is, what are the physical and psychological ramifications of this knowledge?
Near the end of the movie, Elijah (Samuel L. Jackson) is sitting in his wheelchair below three comic book covers, Thor to the left, Daredevil to the right and Nick Fury of S.H.I.E.L.D. Nick Fury was redesigned around this time in the image of Jackson, who went on to play him in the Marvel Cinematic Universe, which co-star Thor. Although Daredevil has yet to appear in a movie within the Marvel Cinematic Universe, he has appeared in his own self-titled series, and The Defenders (2017), which are television shows within the Marvel Cinematic Universe. See more »
When Elijah Price goes from Franklin Field to the train station on South Street there is a post with a "Subway" sign at the top of the stairs. There is no subway running under South Street. It is a train station entrance. The subways in Philadelphia run under Broad and Market Streets with a spur line that goes to Camden, NJ. There is, also, the Frankfort Elevated Line. See more »
It has begun. Tell me something, David. When you woke up this morning... Was it still there? The sadness?
I think this is where we shake hands.
[flashback occurs upon shaking]
I worked in that building 25 years, I know all its secrets.
Like, if there ever was a fire on floors 1, 2 or 3, everyone in that hotel would be burned alive.
[after flashbacks end]
You know what the scariest thing is? To not know your place in this world. To not know why you're here... That's... ...
[...] See more »
The Singaporean video version removes most of the struggle between David Dunn and the Orange Suit Man (the man that broke into the family's house). All that remains is Dunn putting his arm around his neck, followed by an inserted recycled shot of the curtains, and ends with Dunn freeing the woman from her bindings. See more »
Fugue in C major, BWV 952 (from 'Klavierbüchlein für Wilhelm Bach')
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Classical
By Arrangement with Sony Music Licensing
Courtesy of The Estate of Glenn Gould See more »
Willis finds out some strange things about himself after being the sole survivor in a train wreck. Jackson tells him he's special. Is he really?
Unbreakable really is an act 1 superhero story stretched to feature lenght (Night tells us in an interview). Genius. For once I believe Willis is the person on screen, not that he's playing Bruce Willis, the cool actor. Night uses colors (mostly blue, purple and green) and well chosen camera-angles as imagesystems (word is that the storyboard read like a comic). Most of them really work out well. I loved the slow pacing of the film. It really takes it time to tell us what's going on. As usual Shyamalan puts human drama first in his script. The first scene where Willis meets the woman in the train... You have to see the genius of it. In a few lines of dialog Shyamalan let's us discover the character Dunn.
Another reason why I love this film is because Shyamalan shows he has courage to make THIS after the enormous success of The Sixth Sense, which I think is inferior to this film. I just know the studio execs where pushing for something more tangible than this, but he chose this instead. A homage to comic books. And it works! BEAUTIFUL!!
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