6.1/10
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1 user 3 critic

Jonas et Lila, à demain (1999)

A fake sequel to Jonas qui aura 25 ans en l'an 2000 (1976). Jonas is now indeed 25, has studied cinema and is living with his black lover, Lila, in Geneva, Switzerland. Between disillusions... See full summary »

Director:

Alain Tanner
Reviews
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jérôme Robart Jérôme Robart ... Jonas
Aïssa Maïga ... Lila
Natalia Dontcheva ... Irina
Jean-Pierre Gos ... Jean
Marisa Paredes ... María
Heinz Bennent ... Anziano
Cécile Tanner Cécile Tanner ... Cécile
Philippe Demarle Philippe Demarle ... Pierre
Ania Temler Ania Temler ... La bande à Jonas
Dominique Ziegler Dominique Ziegler ... La bande à Jonas
Julien Basler Julien Basler ... La bande à Jonas
Laurent Cupelin Laurent Cupelin ... La bande à Jonas
Laurence Scheurer Laurence Scheurer ... La bande à Jonas
Mehdi Kamel Mehdi Kamel ... La bande à Jonas
Olivier Périat Olivier Périat ... La bande à Jonas
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Storyline

A fake sequel to Jonas qui aura 25 ans en l'an 2000 (1976). Jonas is now indeed 25, has studied cinema and is living with his black lover, Lila, in Geneva, Switzerland. Between disillusions and the loss of ideals, macjobs and the quest for art, Jonas and Lila try to find their way in life. Written by G.A.

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Genres:

Drama

Certificate:

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Details

Country:

France | Switzerland

Language:

French

Release Date:

5 January 2000 (France) See more »

Also Known As:

Jonas e Lila See more »

Company Credits

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Technical Specs

Color:

Color
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Trivia

It took 11 years following its theatrical release for the film to be released on DVD in France. See more »

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User Reviews

 
A deep hope in tomorrow's movie making
20 December 2000 | by calencoSee all my reviews

This is one of the best films i've seen in the last ten years. It's full of very rich character relationship. But the one i really adore is the one between Jonás and Anziano, his teacher. Through this role superb played by Heinz Bennet, Tanner actualizes world cinematography landscape, and refresh the european. Anziano's gaze is as lucid that blinds, and really out of intellectual poses. This comment must end honestly inviting to see the movie. Don't forget to take a note pad to write down Anziano's commets on movie making and Mankind.


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