A chronicle of John Lennon's first years, focused mainly in his adolescence and his relationship with his stern aunt Mimi, who raised him, and his absentee mother Julia, who re-entered his life at a crucial moment in his young life.
Kristin Scott Thomas,
A dramatization of the life of Linda McCartney. In her early years snapping photos for Rolling Stone magazine and rubbing elbows with much of Hollywood's Elite. The story follows her ... See full summary »
In 1964, six teenagers from New Jersey run off to see The Beatles perform on The Ed Sullivan Show (1948) in the hope of meeting their idols. However, they don't have tickets. Along the way, they learn new things about friendship and growing up.
Pensioners Nina and Madeleine have hidden their deep and passionate love for many decades, but their bond is put to the test when they are suddenly unable to move freely between each other's apartments.
The Emersons are a theatrical family, of sorts - one son Samuel,17, is a street performer who recites Shakespeare while his brother Beckett, 19, picks pockets in the crowd. Their father ... See full summary »
In this purely fictional story, Paul McCartney drops by The Dakota to visit John Lennon in 1976. Paul is still on top of the music world, reaching #1 with his new band, Wings. John, however, has retired from public life, choosing to raise his son, Sean. Rumors are rampant that The Beatles are going to reunite to play a concert. Paul, the consummate entertainer, is intrigued by the possibilities. But John, still fighting his inner demons, is content keeping Beatlemania a thing of the past. But even though the two men are still at odds over the band, they rediscover that they still have bonds from the past that will never go away.Written by
After John kisses Paul in the elevator, Paul asks John "Is my name Brian?" This is a reference to Brian Epstein, the gay manager who was rumored to have had a sexual relationship with John Lennon (although McCartney has rubbished this suggestion). See more »
The lip-syncing is off while John and Paul are singing "Tumbling Tumbleweeds". See more »
I gaurantee you, when he finally gets the nerve to come over here, it'll be, "My Connie adores you, and my Carla thinks you're fabulous."
My Heather likes you.
Her too, yeah.
No, I mean *my* Heather. She thinks you're all right. No accounting for taste, but she seems to have a bit of a crush on you.
What, Linda's girl?
Hey, she's my Heather too. I legally adopted her a long time ago.
How old is she now?
She's thirteen. Can you believe I've got a teenage daughter?
See more »
I wouldn't have expected most musicians or Beatles fans to like this film, what with our expectations and a feeling like we own our image of them in some personal sense, but I'm glad that many here did, because I think it is an excellent character study, regardless of whether it happened or not. And I think that especially for the general public, who may not have known much about John and Paul, at least outside of the Beatles, it gave an interesting portrayal of them as the remarkable people they were (and are, in Paul's case), both in good and bad ways, and accurately expressed some of the dynamic that they had between them, both in terms of friendship and conflict. Not that any of it was specifically accurate or would have happened that way, necessarily, but I think the dynamic itself was accurate, at least in terms of the mythology and perception we've gleaned from what we know about them and how they felt about eachother.
The only things I didn't like were parts of the rooftop scene, which kind of made Paul into a pseudo-saviour for John, although in terms of trying to instill some dramatics into the show, that was probably a valid device (John clearly had more demons and things unresolved in his life than Paul), and the scene of them in the park, which just seemed pointless. However, as they were walking into the park, there was a great line, where some guy asks John for change to help 'save the seals', and John says "I don't think they'd listen". I don't know if Lennon ever said that, but you've gotta admit, that's a great Lennon-esque line, and indicative of the sharp writing in this film...
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