Following the events of The Matrix (1999), Neo and the rebel leaders estimate they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. Neo must decide how he can save Trinity from a dark fate in his dreams.
In order to foil a terrorist plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-Wan Kenobi investigates an assassination attempt on the senator and discovers a secret clone army crafted for the Jedi.
Three years into the Clone Wars, the Jedi rescue Palpatine from Count Dooku. As Obi-Wan pursues a new threat, Anakin acts as a double agent between the Jedi Council and Palpatine and is lured into a sinister plan to rule the galaxy.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix, and a certain degree of precognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has chosen Neo as his next target.Written by
At the freeway chase, a signboard has the exit to a place called Paterson Pass (which is a road between Livermore and Tracy, California, east of the Alameda freeway production site - the exit is off of Interstate 5). This was a reference to Production Designer Owen Paterson. See more »
In the yard/park with Smith and Neo, there is a light that is obviously not part of the yard/park because it can't be seen when Neo is introduced to the Smith clones. See more »
As in "The Matrix", the opening Warner Bros. logo is green on a gray sky, and the opening Village Roadshow logo is green. See more »
The version shown on TBS dubs the excessive use of the word "Shit" to "Shoot" or "Shucks." It also omits the nudity during the scene in Zion about 25 minutes in and the lines "You're fucking dead!" and "I'm gonna fucking kill you!" have the expletives cut out of the scene. Plus some of the car chase was omitted. See more »
Written by Paul Oakenfold and Ian Green
Produced and Performed by Paul Oakenfold (as Oakenfold)
Courtesy of Maverick Recording Company (N. America) / Mushroom Records Ltd. (ex. N. America)
By Arrangement with Warner Strategic Marketing See more »
The Wachowskis, having bitten off more than they can digitise in this, the second "coming" of so many computer nerd's wet dreams, have over-stepped their dubious talent here - obviously victims of their own hype! THIS is the computer game - THE MATRIX was the movie!
To be expected, the flick has its die-hard adherents who would happily take a lie-detector test to convince us that they alone can penetrate the bulldust and fathom a master-plan in progress. This armored, but essentially - cranially displaced movie, is, like the sum of Morpheus' spoutings, heavy on pretense, light on significance. Fishburne's Moses-inspired "address to the nation" atop Pride Rock, must rank as the most non-sensical piece of dialog ever uttered in a movie. Even HE looks utterly embarrassed to be there, frequently pausing as if wondering "WHAT did I just say?" The entire sequence in fact, including the orgiastic rave with a BLADE soundtrack, appears to have been inspired by THE TEN COMMANDMENTS.
As for THAT completely loopy and sex-less coupling with Carrie Ann Moss, I had to avert my eyes for fear of being rendered sterile! (Talk about LOT's wife!) C'mon....the woman looks old enough to be Reeve's mother and unintentionally cruel though it is, has any love interest ever been less attractive in the history of cinema? Reeves MUST have been wearing shades to do it! (Footnote to Miss Moss: No insult intended Carrie, I'm no better - way past my own use-by date but hey, LOVED the catwoman outfit!)
Reeves in fact appears majorly stilted and wooden throughout proceedings here (yeah, I know that IS par for the course for dear old Keanu, but Hell, couldn't NEO (gosh thats brilliant - anagram of ONE, Thank you HAL!) have had just a little fun? As for his excruciatingly prolonged brawl with the replicated Agent Smiths....what the HELL was that?.....realistic? meaningful? intellectual? spiritual? None of the above, this was pretentious, laughable, overlong and irritating. Did LESS than nothing for the flick's credibility. One may also well ask, why, with his ability to leap tall buildings and fly at warp factor 10, would he even be bothered with such mundane fisticuffs in the first place? If he can repel bullets and the considerably better equipped aliens simply by holding his hand up, whats the deal here with the army of Weavings? The sequence of course was not intended for logical contemplation. simply to impart to the popcorn-munching cretins that "hey, ain't this one FUN movie?"
Quantum physics, Crane-crap, Zen Buddhism, Armani fashions, Cecil B De Mille, Fritz Lang and Jacke Chan aside, what are we LEFT with here? A half-decent freeway chase and ONLY the second other intelligent part of the movie - the sequence with the architect. The latter being the greatest, most perceptive and well delivered flurry of meaningful adjectival literacy since Lord Henry gave Dorian a lesson in societal objectivity in THE PICTURE OF DORIAN GRAY. I cannot believe that greater than 2% of the MATRIX RELOADED's entire audience worldwide would have had the slightest idea of what was being said!
The less said about the ending (and I use the term loosely), the better. You want thought provoking Sci-fi? stick with 2001 or BLADE RUNNER. You want action? MAD MAX 2: THE ROAD WARRIOR leaves this for dead and WITHOUT CGI. You want superb characterisation? try BILLY BUDD on for size. Maybe gothic brilliance is your thing? THE INNOCENTS awaits you! You wanna be swept along with the crowd? better catch MATRIX RELOADED (actually a sequel to THE EMPEROR'S NEW CLOTHES) before you actually get a chance to think!
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