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Bridget Jones's Diary (2001)

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A British woman is determined to improve herself while she looks for love in a year in which she keeps a personal diary.

Director:

Sharon Maguire

Writers:

Helen Fielding (novel), Helen Fielding (screenplay) | 2 more credits »
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Popularity
1,577 ( 226)
Nominated for 1 Oscar. Another 8 wins & 29 nominations. See more awards »

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Cast

Cast overview, first billed only:
Renée Zellweger ... Bridget Jones
Gemma Jones ... Bridget's Mum
Celia Imrie ... Una Alconbury
James Faulkner ... Uncle Geoffrey
Jim Broadbent ... Bridget's Dad
Colin Firth ... Mark Darcy
Charmian May Charmian May ... Mrs. Darcy
Hugh Grant ... Daniel Cleaver
Paul Brooke ... Mr. Fitzherbert
Felicity Montagu ... Perpetua
Shirley Henderson ... Jude
Sally Phillips ... Shazza
James Callis ... Tom
Charlie Caine Charlie Caine ... Handsome Stranger
Gareth Marks Gareth Marks ... Simon in Marketing
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Storyline

Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her many imperfections. As a New Year's Resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance who Bridget cannot seem to stop running into or help finding quietly attractive. Written by Anuja Varghese <anujav@excite.com>

Plot Summary | Plot Synopsis

Taglines:

For anyone who's ever been set up, stood up or felt up. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some strong sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

UK | France | USA

Language:

English

Release Date:

13 April 2001 (USA) See more »

Also Known As:

El diario de Bridget Jones See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

£5,720,292 (United Kingdom), 15 April 2001, Limited Release

Opening Weekend USA:

$10,733,933, 15 April 2001, Wide Release

Gross USA:

$71,543,427

Cumulative Worldwide Gross:

$281,929,795
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The fight scene between Hugh Grant and Colin Firth wasn't choreographed. It was improvised between the actors. See more »

Goofs

After the dinner party, Darcy is talking to Bridget at the bottom of the stairs and his position changes between shots. See more »

Quotes

Bridget: I owe you an apology about Daniel. He said you ran off with his fiancée and left him brokenhearted.
Mark Darcy: No, it was the other way around. My wife. My heart.
See more »

Crazy Credits

During the end credits, we see footage of a home movie taken during a birthday party, which also happens to be the birthday party that both Bridget and Mark are at that is referred to several times during the movie. See more »

Alternate Versions

The songs that play over the second half of the end credits are different. In the UK the first Robbie Williams song is followed by Dina Carroll singing "Someone Like You", and then Williams again, singing "Not Of This Earth". The US version replaces Carroll with Shelby Lynne singing "Killin' Kind", then concludes with the same Williams track. See more »

Connections

Version of Bride & Prejudice (2004) See more »

Soundtracks

Ain't No Mountain High Enough
Written by Nick Ashford (as Ashford) and Valerie Simpson (as Simpson)
Performed by Diana Ross
Courtesy of Mowtown Records Co LP/Universal-Island Records Limited
Licensed by kind permission from The Film & TV Licensing Division, part of the Universal Music Group
See more »

Frequently Asked Questions

See more »

User Reviews

It's not just charming - I insist it's charming
13 April 2002 | by SpleenSee all my reviews

With certain bad movies - "Plan 9 from Outer Space" is a famous extreme example - you start to wonder if there's something wrong with people who don't realise that they're bad. I'm not saying that if someone LIKES "Plan 9" then his or her brain probably needs to be repaired; the suspicious, unhealthy thing is not LIKING the film, but being of the opinion that it's good. (Many people have a soft spot for it precisely BECAUSE they realise how bad it is. In this way it differs from something like "Timecode", where either liking the film OR having a high opinion of it is something to be embarrassed about.) And something similar applies to, say, "Citizen Kane". Disliking it makes sense; thinking it's a bad film does not.

But there's another kind of film that tempts me to be even more presumptuous. "Dumbo" is the best example I can think of at the moment. I can see why one might (mistakenly) have a low opinion of "Dumbo": some of the footage IS mere padding, the triumph at the end is too swift, the charge has been laid (falsely, but not ludicrously) that the crows are racist caricatures ... and so forth. But surely even the people who think "Dumbo" is a bad film must still manage to like it. If they don't, THEN I'm suspicious.

I feel this way, to a greater or lesser degree, about a number of light comedies, and this is one of them. I can't honestly say that I revere or adore "Bridget Jones's Diary" (N.B.: I'm male), but all the same, I can't help thinking that people who take an active dislike to it have something wrong with them. This applies not just to the film as a whole but to Bridget Jones, the central character, in particular. What has she done to merit dislike? She's beautiful (as beautiful as Renée Zellweger has ever been on screen), honest and kind-hearted. The diary she keeps certainly reveals her many flaws, but none is particularly pronounced, most are purely negative and anyway, she shares them all with the rest of us - so don't pretend you're not like this, too.

This is an amiable, well-written and fresh romantic comedy with, for ONCE, an attractive female protagonist. It's far from being the greatest film ever made and there may be grounds for attacking it which I haven't touched upon (I suppose there always are), and so all in all I'll understand your not thinking as much of it as I do, but, dammit, you'd better LIKE it.


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