When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.
The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their teenage daughter, Arrietty, is discovered.
In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
Chihiro and her parents are moving to a small Japanese town in the countryside, much to Chihiro's dismay. On the way to their new home, Chihiro's father makes a wrong turn and drives down a lonely one-lane road which dead-ends in front of a tunnel. Her parents decide to stop the car and explore the area. They go through the tunnel and find an abandoned amusement park on the other side, with its own little town. When her parents see a restaurant with great-smelling food but no staff, they decide to eat and pay later. However, Chihiro refuses to eat and decides to explore the theme park a bit more. She meets a boy named Haku who tells her that Chihiro and her parents are in danger, and they must leave immediately. She runs to the restaurant and finds that her parents have turned into pigs. In addition, the theme park turns out to be a town inhabited by demons, spirits, and evil gods. At the center of the town is a bathhouse where these creatures go to relax. The owner of the bathhouse ...Written by
There is a common misconception that the film takes place in brothel. This is false; Miyuzaki made this film targeted towards the demographic of young females. Another quote of the creator that disproves this claim states he is displeased with how the sex industry has become more geared to include children. See more »
When Kamajii bangs the wheel to alert the Mushi-balls, a chopstick clearly falls down from the bowls. However, when he is cleaning off the dust only a minute later, there are two chopsticks again. See more »
[reading a card]
I'll miss you, Chihiro. Your best friend, Rumi.
See more »
The credits have a series of still images from the film. The last image before the film fades is Chihiro's shoe in the river. See more »
Various dialog is added to the English dub to explain settings, translate Japanese text, or traditions; for example, when Chihiro first sees the bathhouse, in the English dub, she says "It's a bathhouse", which isn't present in the Japanese version. See more »
There is simply no denying that Miyazaki is the Godfather of Japanese Animation, time and time again delivering unto the public works of such incredible beauty, such stunning visual and sensory delights, such mastery of storytelling, that one can only be left speechless. Overwhelmed. Intoxicated with wonder. Such is the magic of Spirited Away.
Much like Miyazaki's previous feature Princess Mononoke, Spirited Away is an epic fairytale fantasy that deserves no better medium than the stunning animation work of Studio Ghibli. This multiple award-winning masterpiece has grown to become the largest grossing film in Japanese history, and rightly so. From the moment our child heroine Chihiro enters the bath houses we are literally bombarded with an overwhelming sense of detail and rich, lavish colours rarely - if ever - seen in western animation. Scenes such as Chihiro running through the field of flowers, the marvellous landscapes seen from the train, Haku and Chihiro soaring the skies above, and Chihiro running across the pipe to climb the walls of the bath house are nothing short of breathtaking, and undoubtably some of the most lavish animation ever to hit the screen.
The world of Spirited Away is simply bustling with life; unique, quirky, instantly lovable creatures jostling about their daily activities and tasks in the bath houses, dancing across the screen like leaves caught in a playful summer breeze. The inventiveness of Miyazaki's character designs, much like in Mononoke, is wonderful to behold, in fact not since classic tales like Lewis Carroll's Alice In Wonderland and The Neverending Story have we been able to fall hopelessly in love with such original, quirky, magical, even fantastical characters. The viewer is plunged headfirst into another world for nearly two hours and one cannot help but be completely and utterly captivated.
The music and original score is stunningly beautiful, the original Japanese language track of such high quality that one wonders why someone could insult the work by producing a dub track at all. With a plot differing in its complexity on so many levels, from the basic storyline, to the omnipresent universal themes, to the riddling of Japanese history and fable throughout, children and adults alike will be mesmerised from start to end. A magical, awe-inspiring, tearful, laughter-filled, heartfelt journey through a land of sweeping fantasy and dreams.
Prepare to be Spirited Away........................
433 of 497 people found this review helpful.
Was this review helpful to you?
| Report this