Donnie Darko doesn't get along too well with his family, his teachers, and his classmates; but he does manage to find a sympathetic friend in Gretchen, who agrees to date him. He has a compassionate psychiatrist, who discovers hypnosis is the means to unlock hidden secrets. His other companion may not be a true ally. Donnie has a friend named Frank, a large bunny which only Donnie can see. When an engine falls off a plane and destroys his bedroom, Donnie is not there. Both the event, and Donnie's escape, seem to have been caused by supernatural events. Donnie's mental illness, if such it is, may never allow him to find out for sure.Written by
When Donnie's mother, Rose (Mary McDonnell), asks Kitty (Beth Grant) if she has heard of Graham Greene, she replies that she has, since she's seen Bonanza (1959). However, Kitty is getting him confused with Lorne Greene, who appeared in the series. Sam Raimi, who allowed the Donnie Darko production to use and distort a clip from his movie, The Evil Dead (1981) free of charge, is married to one of Lorne Greene's daughters, Gillian. There is also a Native Canadian actor, Graham Greene who has appeared in many films portraying native Americans including Dances with Wolves (1990). Graham Greene, the author, had many of his books adapted for films, including, The Quiet American (1958) (twice), Brighton Rock (1948) (twice), and Our Man in Havana (1959). See more »
When the students all write "They made me do it" on the board, Sam Bylen is followed by Donnie Darko. Cherita Chen wrote between those two, but the original cut skips her moment. It is restored in the director's cut. See more »
After the closing credits, on the director's cut, there is the title of the movie followed by a drawing of Frank. See more »
In the original version, when Donnie first begins to witness the liquid spear coming out of his chest, the spear moves across the room, turns back toward him and forms a large sort-of finger that beckons him to follow. In the Director's cut, the spear does not beckon him. He simply follows. Also the soundtrack in this scene has changed. Previously, we could hear the TV advertising the Middlesex Halloween Carnival. This has been replaced with sound effects now associated with any of the oddities of the tangent universe. In the Director's Cut there is also the audio for a commercial for "Who's the Boss?" starring Tony Danza inserted prior to the Halloween Carnival add. See more »
I've already reviewed the originally released cut of 'Donnie Darko' so I am not going to review the film again. Instead, I'll comment on the differences between the two versions; unfortunately most of the differences took away from the original film, which I think is truly excellent.
I traveled two hours round-trip with several friends to see the Directors Cut since it was not playing in Milwaukee at the time, and while I am glad that I saw it, I feel that the original is the superior version. There were many superfluous scenes in the new cut which did not add to the film; rather I almost felt that they made the pacing falter a bit. For example, the new scene between Donnie's parents in the café a completely unnecessary scene which did not add anything relevant to the story. There were a handful of scenes like this, as well as some added dialogue that indeed added to the development of some characters, (Drew Barrymore's character, the teacher 'Karen' was enhanced a bit) for some it just seemed silly (One of Donnie's bus stop friends telling Cherita that he 'hopes she gets molested' turned him from just being an incidental character into being an incidental character who is a jackass.)
Another major difference between the two films was the addition of several special effects to the new cut. There were a lot of dream-like sequences (the file cabinets floating among the clouds ala Rene Magritte) and all of the stuff focusing on Donnie's eyeball, computer-ish codes, etc, that just did not work in my opinion. Also, some of the most subtle changes, soundtrack for example, were disarming. The opening song was 'The Killing Moon' by Echo and the Bunnymen in the original, which provided a great backdrop in the introduction to Donnie, his environment and his family. Kelly used 'Never Tear Us Apart' by INXS in his directors cut. Certainly, a good song, but after using a perfect song originally, it is hard to get used to an inferior replacement.
Which is how I sum up my feelings about Kelly's directors cut in general? Why mess with (near) perfection? 'Donnie Darko' is a fantastic film that was so thought-provoking it made some people run the other way. Only those who were interested in something beyond the ordinary stayed to ponder and theorize its meaning, and still are to this day. Kelly's new cut does not enhance the film, rather, it made it plodding and a little dumbed-down two adjectives I never thought I would ascribe to this film. See the directors cut to play 'spot the new stuff', but stick with the original.
338 of 584 people found this review helpful.
Was this review helpful to you?
| Report this