In idyllic Mid-Coast Maine, the Fowler family's only son Frank comes home from his freshman year at college for summer vacation. His mother Ruth, the school choir director, is unhappy with Frank dating soon-to-be divorced mother Natalie who is several years his senior, but Frank's father Matt, the town doctor, doesn't see a problem. While Frank considers holding off his future for Natalie, her jilted husband causes them all problems until an unthinkable tragedy shakes the community to its very core.Written by
The amusement park scenes in the movie are scenes of the beachfront amusement park, Palace Playland, at Old Orchard Beach, Maine. The Ferris wheel that was shown lit up was the Sunwheel. See more »
When Matt, Frank and Natalie are eating lunch Frank picks up his drink from Matt's point of view, but from Natalie's point of view a second later he is not holding a drink. See more »
[Frank plays with blocks while Natalie relaxes in a beach chair]
Hey... You know I've been ignoring our difference in age but you keep playing with those blocks, I'm gonna start to worry.
You're not looking at the house. Look.
[Natalie moves closer to Frank]
It's not all mine, it's part Mack. See, the whole idea of what Mack was trying to achieve was a common area in the center of the house. I mean, large, open spaces- they weren't unique to Mack but the idea of seperating the family so that the ...
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This film is dedicated to Andre Dubus and is based on his short story "Killings". See more »
Baby I Love Your Way
Written by Peter Frampton
Performed by Peter Frampton
Copyright 1975 Almo Music Corp.
On behalf of itself and Nuages Artists Music Ltd. (ASCAP)
Courtesy of A&M Records
Under license from Universal Music Enterpises See more »
Every once in awhile, a filmmaker comes along and adds a pitch-perfect sensibility to a compelling story, well-written script, and perfect cast. This has happened with In the Bedroom. Though I saw, and enjoyed, director Todd Field's 2nd feature, Little Children, when it came out a few years back, I was truly astounded by In the Bedroom.
At a time when Americans' tastes in films are getting more and more juvenile, In the Bedroom is that rare film; one aimed adults. The characters and story line is compelling, the shots kept simple, yet beautiful, and the feel of the film is as real as most you will see. In the Bedroom would fit in perfectly with the some of the films from golden age of the 70s film-making. Unfortunately, we are seeing this less and less of those types of films these days.
It is hard to find a false moment, whether in dialogue or behavior, in this film. It deals with circumstances that we hear about every day, yet is no less captivating because of it. We are not clobbered over the head with the moments we are meant to feel deeply, yet they are apparent and often devastating to watch. There is an old saying, "you know the truth when you see it", and that certainly applies to this film. There was a knot in my stomach the entire first 30 minutes of the film, as director Field slowly builds to something you know is inevitable, and almost can't bare to watch.
Excellent performances turned in by Spacek, Wilkinson, Tomei, as well as all the supporting players. Proof, once again, that actors often make some of the finest directors.
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