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447 user 153 critic

Billy Elliot (2000)

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ON DISC
A talented young boy becomes torn between his unexpected love of dance and the disintegration of his family.

Director:

Stephen Daldry

Writer:

Lee Hall
Reviews
Popularity
1,323 ( 157)
Nominated for 3 Oscars. Another 54 wins & 66 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jamie Bell ... Billy
Jean Heywood ... Grandma
Jamie Draven ... Tony
Gary Lewis ... Dad
Stuart Wells ... Michael
Mike Elliot Mike Elliot ... George Watson
Billy Fane Billy Fane ... Mr Braithwaite
Nicola Blackwell Nicola Blackwell ... Debbie
Julie Walters ... Mrs. Wilkinson
Carol McGuigan Carol McGuigan ... Librarian
Joe Renton Joe Renton ... Gary Poulson
Colin MacLachlan Colin MacLachlan ... Mr. Wilkinson (as Colin Maclachlan)
Janine Birkett Janine Birkett ... Billy's Mum
Trevor Fox Trevor Fox ... PC Jeff Peverly
Charlie Hardwick Charlie Hardwick ... Sheila Briggs
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Storyline

County Durham, during the endless, violent 1984 strike against the Thatcher closure of British coal mines. Widower Jackie Elliot and his firstborn, fellow miner Tony, take a dim view of 11 year-old second son Billy's poor record in boxing class, which worsens when they discover he sneakily transferred to the neighboring, otherwise girls-only-attended ballet class. Only one schoolmate, closet-gay Michael Caffrey, encourages Billy's desire, aroused by the teacher, who judged him talented enough for private lesson, to train and try out for the world-renowned Royal Ballet audition. Only the prospect of a fancy career unimagined in the pauper quarter may twist pa and big brother's opposition to indispensable support. Written by KGF Vissers

Plot Summary | Plot Synopsis

Taglines:

Inside every one of us is a special talent waiting to come out. The trick is finding it.

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Universal

Country:

UK | France

Language:

English

Release Date:

10 November 2000 (USA) See more »

Also Known As:

Billy Elliot See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

£1,541,109 (United Kingdom), 1 October 2000, Limited Release

Opening Weekend USA:

$215,681, 15 October 2000, Limited Release

Gross USA:

$21,995,263

Cumulative Worldwide Gross:

$109,280,263
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The first release from Working Title's low-budget WT2 division. See more »

Goofs

Right after Mrs. Wilkinson slaps Billy on the face, at the locker room, we see her from behind with her hands on her face (at 00:47:33 with fingers as if praying). In the next shot, her hands are in a totally different position (at 00:47:34 with clasped hands on her face). See more »

Quotes

Mrs. Wilkinson: Right, Mr. Braithwaite, "The Sun Will Come Out Tomorrow".
[to herself]
Mrs. Wilkinson: Fat chance!
See more »

Alternate Versions

An edited version was released in the USA rated PG-13 that tones down the language. See more »

Connections

References Zero for Conduct (1933) See more »

Soundtracks

A Child Is Born
Written by Thad Jones
Performed and arranged by Douglas Corbin
Courtesy of Bodiac Productions, Dallas, Texas, USA
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User Reviews

A Triumph of Highly Charged Storytelling
7 December 2000 | by Orson5See all my reviews

Billy Elliot is by far the most honestly told depiction of middle boyhood I've seen in years, if ever. I was in joyful tatters at the end of this story of a boy struggling to stay true to his calling in an anguished northern English mining town circa 1980. Every working class character in this film is written and uncompromisingly played with great love and understanding of both family and class hardship. Personally I view this film as the finest piece of British "intimiste" cinema I've seen since Mike Leigh's "Secrets and Lies". Yet it has epic elements as well. Billy's personal story unfolds while his home town is occupied by uniformed British strike control forces.

This is a tale of inter-masculine struggle in a family and mining town almost devoid of (and yearning for) a balancing feminine presence. Billy's gift is slowly awakened in this stressed and violent male crucible. His relationships with his brother, his father, his genderally confused classmate, and his teacher all grow increasingly charged as the movie develops. For honesty and presence, Jamie Bell as Billy far surpasses Haley Joel Osment's debut in The Sixth Sense. And if that's not enough, Julie Walters, Gary Lewis and Jamie Draven as Billy's teacher, dad and brother are all heartbreakingly portrayed. All are perfectly cast and at the very top of their form.

After all these characters have passed through the warzone of the first and second acts, director Steven Daldry delivers perhaps the most perfectly executed third act I have seen in a family centered drama from England or elsewhere. There are countless insightful decisions Daldry makes in the course of this film that other directors will study for years to come. But they're all brought to touching and masterful closure in the third act segments.

Kudos to scenarist Lee Hall for an excellent script. It should also be noted that many of DP Brian Tufano's beautifully composed shots match those of the great Chinese and Italian cinematographers. The film is brash in its musical style and forthright in its language. It is a film of specifics and the locale is not dressed up. And unlike many other local color films from England since 1985, this film has a strong, eminently compassionate narrative spine. Many audience members in the show I attended were immobilized and overcome in their seats during credits.

Despite frequent profanity, boys 11 and up should be allowed to see Billy Elliot, if only to keep them from abandoning hope. If it helps even one oppressed and confused boy keep an ear to the faint voice within that might just be his true calling, this film will have been worth every dollar spent in its making. A truly uplifting film.


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