A high school senior's girlfriend breaks up with him. His friends try to make him think of something else. His friend's sister Kelly helps him with the school musical. Spending time with Kelly has an effect.
In the 1960s, a group of friends at an all girls school learn that their school is going to be combined with a nearby all boys school. They concoct a plan to save their school while dealing with everyday problems along the way.
Nicole and Chase used to be BFFs, then junior high happened. The high school centennial dance is coming but Nicole gets dumped. So does Chase. They stage a relationship to get at their exes. They visit each other's worlds. Love in the air?
Melissa Joan Hart,
Jay Hernandez stars as Carlos Nunez, a poor but athletically gifted Latino teenager who endures a two-hour bus ride every day from East L.A. to attend the posh, wealthy Pacific Palisades High School in Los Angeles on a football scholarship. A straight-A student, Carlos is focused and driven, but his future is cast in doubt when he becomes the flirtation target of spoiled, self-destructive bad girl Nicole Oakley (Kirsten Dunst), who's the daughter of a prominent congressman (Bruce Davison). When his friends, family, and even Nicole's own father oppose the romance for Carlos' sake, he chooses to ignore their advice and stubbornly pursues his relationship with Nicole, whose feelings grow from simple physical attraction to something much deeper.
I saw one promo for this film some time after I saw "Bring it On," and thought it was another Kirsten Dunst comedy.
I was wrong, but pleasantly dissapointed. The thing about teenage movies is that the really good ones don't placate exclusively to the age bracket of which the film is about. "Crazy/Beautiful" focuses on the teenagers, but shows the flavors of the leads' respective cultures, and how they are able to combine both their intellect and emotions to overcome some very superficial barriers, which create profound rifts among human society.
The overall theme vascillates by placing the ball into each of the leads court at various points in the film. This makes for some interesting interaction which, in the real world, I've personally observed. On this score the film is rather accurate.
The film gets a touch melodramatic at points, and there's no one actor to really single out as all the leads have their moment of high energy at various points in the film.
The film itself, because of the subject material, is somewhat lethargic, but does keep one's interest in its presentation.
A definate thumbs up for a night's rental.
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