6.2/10
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Intimacy (2001)

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1:30 | Trailer

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A failed London musician meets once a week with a woman for a series of intense sexual encounters to get away from the realities of life. But when he begins inquiring about her, it puts their relationship at risk.

Director:

Patrice Chéreau
6 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mark Rylance ... Jay
Kerry Fox ... Claire
Susannah Harker ... Susan, Jay's wife
Alastair Galbraith ... Victor
Philippe Calvario Philippe Calvario ... Ian
Timothy Spall ... Andy
Marianne Faithfull ... Betty
Fraser Ayres ... Dave
Michael Fitzgerald Michael Fitzgerald ... Bar owner
Robert Addie ... Bar owner
Deborah McLaren Deborah McLaren ... Student at the drama school
Rebecca Palmer ... Pam, girl in squat
Greg Sheffield Greg Sheffield ... Jay's son
Vinnie Hunter Vinnie Hunter ... Jay's son (as Vinni Hunter)
Joe Prospero ... Luke, Claire's son
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Storyline

Jay, a failed musician, walked out of his family and now earns a living as head bartender in a trendy London pub. Every Wednesday afternoon a woman comes to his house for graphic, almost wordless, sex. One day Jay follows her and finds out about the rest of her life (and that her name is Claire). This eventually disrupts their relationship. Written by Will Gilbert

Plot Summary | Add Synopsis

Taglines:

Every Wednesday, She meets once a week.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexual content and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | UK | Germany | Spain

Language:

English

Release Date:

28 March 2001 (France) See more »

Also Known As:

Intimidad See more »

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Box Office

Opening Weekend:

£54,288 (United Kingdom), 29 July 2001, Limited Release

Opening Weekend USA:

$33,808, 21 October 2001, Limited Release

Gross USA:

$103,440, 28 October 2001
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (R-rated)

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The first mainstream English language film with an unsimulated sex scene to be passed uncut in Great Britain. See more »

Quotes

Ian: You know when you're with someone there's only a very short time when you can really give each other things for free... with neither of you having to ask. Because later on all you do is make demands of each other. Perhaps the only difference between her and all the rest is that she's asking you for nothing.
See more »

Alternate Versions

Fully uncut version runs 122 minutes and includes a graphic scene of oral sex that was cut in most releases. See more »

Connections

Referenced in Pirated Copy (2004) See more »

Soundtracks

Penetration
(1973)
Performed by Iggy Pop and The Stooges
Composed by Iggy Pop (as J. Osterberg), James Williamson
See more »

Frequently Asked Questions

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User Reviews

 
Indirect Yet Compelling
25 March 2004 | by bix171See all my reviews

Like most films either adapted from Hanif Kureishi's fiction or having screenplays written by him (`My Beautiful Laundrette', `Sammy And Rosie Get Laid' as well as this film, which lists Kureishi as a co-writer along with Anne-Louise Trividic and director Patrice Chereau), `Intimacy' circles its subject in an indirect manner, never declaring what it's truly about but leaving a distinct impression. This can make for difficult viewing, requiring an inordinate amount of concentration to keep up (and which wears you down after a while) and it only sinks in long after it's over. But that's the film's strong point: the writers prefer to have you draw your own conclusions, with dialogue that forces you to read between the lines of an affair in which both participants seem to be using it to address their individual demons. Chereau and Kureishi are more interested in their characters' circumstances than their actions but it's precisely their circumstances that make their actions compelling. Mark Rylance and Kerry Fox are the lovers (and they're excellent, even though the fact their trysts are presented in explicit detail may overshadow their performances), with Rylance as a bitter bartender who has spontaneously abandoned his family and Fox as a drama teacher stifled in her marriage to a cabbie (Mike Leigh favorite Timothy Spall, also very fine) whom Rylance befriends in an attempt to understand her; it's the tensions that build around the trio that drives the narrative. It's an unhappy yet sensitive film that may distance some audiences and push others into uncomfortable areas they may not want to visit, yet there's no denying its inquisitive, intelligent presence.


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