5.9/10
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68 user 91 critic

Demonlover (2002)

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2:04 | Trailer

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Two corporations compete for illicit 3D manga pornography, sending spies to infiltrate each other's operations.

Director:

Olivier Assayas

Writer:

Olivier Assayas
4 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Connie Nielsen ... Diane de Monx
Charles Berling ... Hervé Le Millinec
Chloë Sevigny ... Elise Lipsky
Dominique Reymond Dominique Reymond ... Karen
Jean-Baptiste Malartre ... Henri-Pierre Volf
Gina Gershon ... Elaine Si Gibril
Edwin Gerard Edwin Gerard ... Edward Gomez
Thomas M. Pollard Thomas M. Pollard ... Avocat américain
Abi Sakamoto Abi Sakamoto ... Kaori - la traductrice
Naoko Yamazaki Naoko Yamazaki ... Eiko
Nao Ohmori ... Shoji (as Nao Ômori)
Jean-Pierre Gos ... Verkamp - Contact Diane
Julie Brochen Julie Brochen ... Gina - Amie de Diane
Randall Holden Randall Holden ... Ray
Alexandre Lachaux Alexandre Lachaux ... Erwan - Broker #1
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Storyline

Diane works for a French firm bidding to purchase a Japanese animation outfit. Diane maliciously hatches a plot to take the job of her supervisor Karen. The plan succeeds, but then Diane faces problems when a competing American firm, represented by Elaine, becomes involved. Diane's assistant Elise remains loyal to Karen, and she frustrates Diane's every move. When it comes to light that the one of the concerned parties controls an Internet site which broadcasts actual torture, the plot thickens. Written by Ken Miller {wkmiller704@yahoo.com}

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for strong violence, sexual content and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Palm Pictures

Country:

France

Language:

English | French | Japanese

Release Date:

6 November 2002 (France) See more »

Also Known As:

Agente Infiltrada See more »

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Box Office

Budget:

€7,032,000 (estimated)

Opening Weekend USA:

$39,284, 21 September 2003, Limited Release

Gross USA:

$231,756, 25 January 2004
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (unrated) | (R-rated)

Sound Mix:

DTS-ES | Dolby Digital EX

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The prêt-a-porter featured is from a Fred Sathal collection and is credited along the movie and video game extracts featured. See more »

Goofs

The film confuses the word Manga (which is Japanese comic books). The word the film should have used was Anime (which is Japanese animation). See more »

Quotes

Hervé Le Millinec: I saw you move. I saw you with Volf.
Diane de Monx: What did you see?
Hervé Le Millinec: How you operated. I admire you.
Diane de Monx: You didn't see anything. No one sees anything. Ever. They watch... But they don't understand.
See more »

Alternate Versions

There are at least three versions of the film:
  • the R-rated version
  • the unrated director's cut (which has less pixalation and a longer Hellfire club scene)
  • the version originally shown at Cannes (assumed to be ca. 10 minutes longer)
See more »

Connections

References The Stepford Wives (1975) See more »

Soundtracks

Hedgehoppers
Written by Koji Nakanishi and Taro Yamamoto
Performed by Dub Squad
See more »

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User Reviews

 
I liked it, but not until the final scene (that is given away below).
1 April 2004 | by shoimsSee all my reviews

Darn it, I liked this movie. At first, I had great difficulty following this film. However, the plot and cinematography were interesting enough to keep my attention and get me thinking. At first, Diane appears empowered by participating in some macho corporate espionage within the cutthroat world of technology. After the initial scene, we are shown that she really isn't in control. Diane's life unravels thread by thread. As the film progresses, we find out that she isn't even in charge of her own gopher: Diane is a puppet...a slave. What made Diane risk her job, her freedom? What makes the characters want to control and abuse people? A twerp who stole his daddy's credit card. Demonlover is a well-crafted comment on manipulation, commercialism, and (dare I say it?) the abuse of capitalism.


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