7.1/10
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Stones (2002)

Piedras (original title)
Not Rated | | Drama | 8 February 2002 (Spain)
"In life, we first organize large stones (Piedras) such as love, friendship, family, and a career." In this way, we will find space between these to fit smaller stones, our small ... See full summary »

Director:

Ramón Salazar

Writer:

Ramón Salazar (screenplay)
Reviews
9 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Antonia San Juan ... Adela
Najwa Nimri ... Leire
Vicky Peña ... Maricarmen
Ángela Molina ... Isabel
Mónica Cervera ... Anita
Enrique Alcides Enrique Alcides ... Joaquín
Lola Dueñas ... Daniela
María Casal María Casal ... Martina
Daniele Liotti ... Kun
Rodolfo De Souza Rodolfo De Souza ... Leonardo
Nacho Duato Nacho Duato ... Podólogo
Andrés Gertrúdix ... Javier
Santiago Crespo Santiago Crespo ... Víctor
Manuel de Blas ... Empresario
Geli Albaladejo Geli Albaladejo ... Araceli
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Storyline

"In life, we first organize large stones (Piedras) such as love, friendship, family, and a career." In this way, we will find space between these to fit smaller stones, our small necessities. If you act in an inverse way, you will not have the room for larger stones. The five protagonists of my film are women who have not been able to organize the large "stones" in their lives. Ramón Salazar, Spanish director defines his first feature Stones in this way. The film tells the parallel, conflicting trajectory of five women: Anita, Isabel, Adela, Leire, and Maricarmen. All are endeavoring to remove the stones that insistently appear in their path or, worst, that are in their shoes. They are five Cinderellas in search of prince charming and a new chance in life. Written by Gonz30

Plot Summary | Add Synopsis

Plot Keywords:

one word title | See All (1) »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Spain

Language:

Spanish

Release Date:

8 February 2002 (Spain) See more »

Also Known As:

Bajo las piernas See more »

Filming Locations:

Almada, Almada, Portugal See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Goofs

In the second scene at the chiropodist, a cameraman can be seen reflected in the glass window. See more »

Alternate Versions

The 2004 UK Cinema Club DVD was cut by 19 secs to remove shots of a dog being swung from a balcony by its lead. The cuts were waived for the 2010 Arrow release. See more »

Connections

Features Sister Citroen (1967) See more »

Soundtracks

Les vieux
Written and Performed by Jacques Brel
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User Reviews

 
Cinderellas in Madrid
18 July 2005 | by diand_See all my reviews

Several story lines are interwoven here around different women characters. The shoes they wear serve as an indication of their troubled lives. All are transformed at the end of the movie. Adela (Antonia San Juan) leads a brothel; Her daughter Anita (Monica Cervera) is retarded and has a restricted life. Leire (Najwa Nimri) is a shoe designer with problems and loses her boyfriend; Maricarmen (Vicky Peña) has lost her husband and now raises the children from his deceased former wife. Isabel (Ángela Molina) is a bored rich lady.

Other characters are used to connect the five main women characters. In storytelling not everything is given away in the beginning: Some connections are established surprisingly late in the movie and that adds to the experience. The shoe-theme is driven to extremes: For example when Leire as a shoe-designer and working in a shoe store where she steals her shoes faints, she breaks one of her heels.

In editing small connections are made between the scenes. A telephone rings, a cigarette is lit, a song, etc. are used to make the connection and fast cuts. Frequent change of storyline keeps it from being boring or reaching TV-levels. It is strongly music-driven to set tone and atmosphere. The cities of Madrid and Lisbon serve as the backdrop for the stories, and shots of those cities are used to extend the story beyond the characters. One of the more moving shots is when Anita, who makes the same walk every day, widens her walk and restricted life from the relative calm of her street to the busy main road: How the restriction of space is visually translated is well done. As with most Spanish movies a lot of storytelling is done visually, using the soap-like stories as the simple backdrop. There is a poetic ending that is somewhat romantic and sentimental but is still beautiful.

As Ramón Salazar is too much in love with his own material it is overlong. Some scenes are kitsch and on the soap level, including the acting (Adela's love life, Isabel's doctor). The shoe-theme is exaggerated and is a weak metaphor.

This is often compared to Magnolia because the structure is the same. But they are different. Magnolia is more technically competent, but somewhat mechanical. This has more the ability to translate emotion and atmosphere visually. After seeing this, you are inclined to immediately move to the new movie-city: Madrid.


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