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Uday dreams of becoming a police officer and serving his country. His dream is accompanied by a fierce determination and drive to make his dream come true. Even as he courageously treads on... See full summary »
The film is set in the India of the tumultuous 1930's when nationalists fighting for the country's independence rose up as one, urging the British to quit. At this time, a young Indian, ... See full summary »
Bhagwan Shri Kishan had predicted that the Kalyug (Dark Age - where evil will triumph over good) will start after the battle of the Kurkshetra - the epic war between Kauravas and their ... See full summary »
Brothers addicted to speed. At any price. Motorcycle road racing is the most dangerous of all motor sports. One in which men compete at speeds of up to 200 miles per hour on closed country ... See full summary »
Notorious gangster asks a career thief by the name of Nandu to steal a package worth over one crore rupees for a fee, which Nandu does so. Things do not go as planned, when Nandu finds out ... See full summary »
Arvind Chauhan (Vivek Oberooi) and Lakhsmi (Antara Mali) are in love with each other. Lakhsmi's dad, a senior police inspector, hates Arvind, and so Arvind and Lakshmi decide to elope and get married. On the way they allow Babu, a stranded motorist, to ride with them. After a short while, Babu irritates both of them and they ask him to leave, instead Babu draws a gun, and asks Arvind to get out, and drives away with Lakhsmi. Arvind, with the help of a truck-driver, Inderpal (Makrand Deshpande), catches up with Babu, and Babu runs away. Arvind files a police report, and they proceed on their way. That's when they find Babu in the back of their vehicle, angry and resentful, and this time determined to have his way with them...Written by
Rajat Mukherjee's 'Road' is an exciting slick stylish black comedy-thriller. The makers inspiration from films like Spielberg's 'Duel', Lynch's 'Wild at Heart' and several other films clearly shows and what he comes up with is an enjoyable ride. In addition to that there are numerous fun references to Hindi movies. It does look very much like a Ram Gopal Verma film what with the playful camera-work, the cast etc yet Mukherjee puts most of it well together.
The film starts with the two romantic couples rock and rolling in the first few minutes and takes a different turn as they hit the road through the mysterious deserts of Rajasthan. From then on it's a road movie. The first time I watched it (about 6 years ago), I didn't like it. Therefore I must say that it's not a film to be taken seriously but just for us to sit down, watch and enjoy.
There are certain plot holes (e.g. Babu's reappearance in the Safari) but while a few of them add to the mystery element, others just require some explanation as it makes the following sequence look forced.
Sandeep Chowta, Amar Mohile, Nitin Raikwar and Sandesh Shandilya do an outstanding job with the music. Both the soundtrack and background score are awesome. I love the rock and roll tracks and the erotic 'Makhmali Yeh Badan'. However, the songs are used in the clichéd Bollywood way where many of them appear out of nowhere like music videos. The background score, combined with the amazing cinematography (by Sudeep Chatterjee), is brilliantly used and it creates characters out of the road and desert themselves.
What further elevates 'Road' are the performances. Vivek Oberoi is confident and fits his part a comfortable glove of the right size. Antara Mali is a sex bomb. Even though her fashion sense is at times awkward (especially in the first two songs) she too carries herself with confidence, sensuality and a kind of stamina and she wears her character like a comfortable modern top of the right size. Manoj Bajpai proves yet again what a gifted actor he is. One will have to watch the movie to know that this part was made for him as he effortlessly pulls it off with complete ease showing hues of comedy, intensity and subtlety.
Watching 'Road' brought back some memories that I had of enjoying the Ram Gopal Verma gems (he did produce it after all) like 'Satya', 'Rangeela' and 'Company'. He was one of the most successful experimenters while others kept making the same old Bollywood fluffy romance trash. Who knows what happened to him that he has opted for making money-spinning trash like 'Sarkar' and 'ki Aag' in recent years. One can only hope he goes back to making great movies.
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