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An exploration of the impact of schizophrenia on a young woman and her family in today's Calcutta. The narrative pivots around the relationship of two sisters, older sister Anjali is a ... See full summary »
Konkona Sen Sharma,
In the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between India and Pakistan are drawn.
Chandra Prakash Dwivedi
Ajay Kumar the newly appointed, honest SSP of Lucknow police cracks down on the nefarious cop-mafia nexus in Uttar Pradesh, but finds a cunning and ruthless adversary in Gajraj. Can Ajay win this unjust war ?
After the marriage of her niece, Rosemary, Anglo-Indian school-teacher Violet Stoneham lives a lonely life in her single room flat located at 36 Chowringhee Lane in Calcutta, with only a ... See full summary »
Meenakshi Iyer comes from a devout Hindu Brahmin family, purely vegetarian, who not only abstain from meat, but also food from restaurants, is the only child, married to Subramaniam Iyer from Tamil Nadu, has just given birth to a young son, Santhanam, and is visiting her mom. It is then they receive news that her mother-in-law is ill and wants Meenakshi back home in Calcutta. The parents arrange to drop her and her son off at the bus-stand, where they are introduced to a young photographer named Raja Chowdhury. Meenakshi's parents ask Raja to look after her, to which he agrees. The bus starts off, taking it's passengers through scenic hillside. The bus driver comes across a sign that the regular road is closed and he decides to take another route. After a few hours the bus comes to a stop as there is a line-up of vehicles ahead. The passengers are told that there has been a terrorist attack on a train resulting in the death of about 200 people. The region, predominately Hindu, believe...Written by
An amazing film... the screenplay and filming left me breathless.
Aparna Sen has done a wonderful job writing and directing this film. The characters are delightfully underplayed (a nice change from the common melodrama of Hindi films), and Konkona Sen-Sharma and Rahul Bose were wonderfully believable.
But best of all was the photography... a tragedy depicted by a nuance... I was touched, and cried my eyes out.
The religion and caste issues are depicted beautiful. Even the educated are often senselessly prejudiced, and likewise grace often appears in unexpected forms. A beautiful movie which I would recommend to all.
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