The 8-year-old Adam is killed in a traffic accident. His grieving parents agree to recreate him through experimental and illegal cloning, conducted by an ingenious but pushy geneticist. After eight happy years, a scary door opens between Adam II and someone from the past.Written by
Robert De Niro had originally planned on merely providing a brief cameo for the film. However, after Director Nick Hamm heard De Niro would be interested in his project, he asked De Niro to participate in a few more scenes that were all filmed within a week. De Niro later regretted this because his name was "splashed over all the advertisements". See more »
At the beginning of the movie, when Paul is mugged by his former student, he drops the present he is carrying and the wrapping becomes loose. When he picks it up, the wrapping is still intact. See more »
Everything you value in this world I gave to you, I provided you with a house and a son. You remember that, you ungrateful piece of shit!
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Unimaginative and boring chiller that lacks intelligence, originality and chills
Paul and Jessie Duncan live in a rough part of the city but are happy with their lives and their young son Adam. However tragedy strikes when Adam is killed in a car accident right in front of Jessie, leaving the couple broken and lost. At their lowest point they are met by a former tutor of Jessie's, enigmatic doctor Richard Wells. Infamous for this genetic work, Wells claims that he can use DNA from the dead Adam to essentially produce a clone. With Jessie no longer able to have children, the couple agree to the illegal and experimental procedure (which also involves moving to a big empty house) and the new born is soon with them. All is great until Adam reaches eight years old and suddenly the nightmares starts and Adam's behaviour changes.
A few years ago cloning became a hot topic and produced several interesting debates over the moral and ethical issues surrounding it. There were no easy answers and it was/is a topic that is hard to hold a clear view on unless you happen to have it decided for you by your religion. Writer Bomback takes this interesting hotbed of ethical debate and churns out a modern twist on the Omen with few original ideas and nothing of any real interest. The plot just tries to engineer plenty of "creepy" moments with the thinnest of ideas behind them and, as a result I didn't really care that much about any of it. Hamm's solid direction is OK but he can't add much in the way of real chills.
Kinnear and Romijn make for an unlikely couple and they don't have a very convincing relationship. Neither of them have much to work with; they do the basics with the script but they can't raise it and don't even suggest that they would produce the sort of emotions you'd expect from a couple seeing their dead son recreated in front of them. Bright is suitably creepy and he does what is asked of him the rest isn't his fault. De Niro phones in his performance; he isn't terrible but you can't help feel that he is worth more than this and that he surely can't need the money that much.
Overall then a roundly poor chiller that offers very little other than unimaginative and unoriginal ideas. Not chilling in the least and it just plods its way towards a pointless and annoying conclusion.
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