Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.
In the celebration of the day of the political prisonner the victims of the Franco repression meet in the jail of Valencia. Among them are parvenues, mafiosi, bankers, and a communist ... See full summary »
Luis García Berlanga
A Danish comedy about Mona, who suddenly has a lot to deal with after being taken hostage at a bank robbery, then chased by the love sick bank robber. The cocaine sniffing boss makes her days miserable until he ODs and she takes over.
Sidse Babett Knudsen,
Thomas Bo Larsen,
Margo is struggling to deal with her son, Jon a rebellious and free-spirited teenager who runs with a bad crowd. After Jon is expelled from school, Margo sends him to live with his ... See full summary »
American writer in Paris is hired to do a script for an edgy young director he can't stand. When he falls in love with the director's cold and manipulative pretty sister, his life starts to unravel and he realizes that he's been used.
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Natalia and Carlos, both aged 20, are in love and struggling to survive in today's Spain. Their limited resources prevent them from getting ahead as they'd like to. They have no great ... See full summary »
Ingrid García Jonsson,
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Alfredo Lopez is a tired encyclopedia salesman, and Carmen is his faithful wife. The lives of this married couple change forever when the Montoya publishing house, in which Alfredo works, makes a proposal to them to make erotic films that will sold in the Scandinavian countries, under the guise of being a false encyclopedia about reproduction. Unknown to them both, Carmen has become an adult film star in the Northern countries, and a Danish crew flies in to help Alfredo make an Ingmar Bergman inspired feature film called "Torremolinos 73." Instead of a career in show business, Carmen is eager to have a baby, and the tension between the artist and his muse grows.Written by
Sujit R. Varma
The type of Kodachrome cartridge we see cannot have existed at the time of action: only since the end of the 1990s did European Kodachrome cartridges have their serial number printed on the label with black ink, prior to that the serial number was dry-stamped on the label. See more »
My wife is kinda obsessed with non-American filmography and she insists on watching every non-American movie on a theater near us. Well, I can't say I am a fan of Hollyweird myself - on the contrary - but I like the independents and on occasion I can even rent a blockbuster for a couple of popcorn hours at home.
So, she dragged me (almost literally) to said theater to watch "a Spanish comedy". She's an avid Almodovar fan (I am not) and so gets pretty much excited over Spanish films.
We went into the theater along with 15 (yes, fifteen) other spectators... not much of an atmosphere, huh? I was not fairly predisposed towards the film, to say the least.
After the two hours have passed, though, I was in love with this little gem! Torremolinos '73 is a very smart film, and has lots to give to any open-minded person, especially if said person has a decent knowledge of Bergman's films.
The first part is extremely funny. Especially the scenes with the couple shooting the ...educating movies, are hilarious. Irony is all over the place, subtle references to Frankist Spain are obvious to those who know what they should look about, but everything serves the purpose to have a good laugh, even if you have to actually think about the film to do so.
The second part is not as funny, but I almost wet myself while the aspiring director Bergman-wannabe shoots a number of scenes with his utterly talent-less wife, imitating every last cadre of a Bergman film! To sum this up: If you are not annoyed by ample nudity (I have to say this since IMDb is also accessed by... ahem... cultures not quite fond of nudity), you like witty (the Spanish way) humor and you are a bit of a Bergman-geek (does such an animal even exist???) you are going to adore Torremolinos '73, as I did.
Probably the best comedy (by far...) I watched this summer.
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