A bartender watches with amusement as two strangers meet and duel verbally in his bar. Katya, a former dancer, is trying to forget the death of her young daughter. Pom, a comedian known for... See full summary »
A girl with few real prospects joins a gang, reinventing herself and gaining a sense of self confidence in the process. However, she soon finds that this new life does not necessarily make her any happier.
Sarah, 30, single, well educated, likes art, places a voice ad for phone sex, inviting replies from men under 35, sturdy and sensual. Wilbert, a chubby middle aged architect, leaves a ... See full summary »
Five friends take their hours with petty crimes. Are persuaded by a tough gangster and his seductive girlfriend to rob a bank. When they are caught, they are condemned to spend a year and a half in Glen Mills, an experimental reformatory.
Theo van Gogh
Farhane El Hamchaoui,
Greek tragedy by Euripide moved to Dutch politics. Medea, the daughter of the chairman of the senate, falls madly in love with ambitious politician Jason. Together they plan a campaign to make Jason prime minister.
A middle-aged journalist interviews the real-life Dutch star Katja Schuurman, in her own loft. Pierre, the journalist is annoyed at being given such a fluffy assignment, as he is normally a political correspondent. Initially he has no questions for Katja, but soon they are coaxing their darkest secrets out of each other.Written by
The little accident with the car when Pierre and Katja meet in front of her apartment is real. Katja did in fact forgot to put on the brake of her car and director Van Gogh decided to keep the footage in. See more »
Obviously, you have to judge this for what it is and that's a low budget film. The effort is certainly worthy of praise. Theo van Gogh is a gifted director, Thomas Kist a good DP and the actors do a fine job. The film's problem lies in it's screenplay. Yes, Holman has created self-conscious characters and given them confrontational, brutally honest lines that certainly exceed the quality of dialogue in the average Dutch production, but I didn't find the characters psychologically valid, especially Katja's. They never struck me as real people. Holman doesn't display a true understanding of the human psyche, which is unfortunate for a psychological thriller. Therefore, it could have been better.
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