6.4/10
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Happy Endings (2005)

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Happy Endings weaves multiple stories to create a witty look at love, family and the sheer unpredictability of life itself.

Director:

Don Roos

Writer:

Don Roos
6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Lisa Kudrow ... Mamie
Steve Coogan ... Charley
Jesse Bradford ... Nicky
Bobby Cannavale ... Javier
Maggie Gyllenhaal ... Jude
Jason Ritter ... Otis
Tom Arnold ... Frank
David Sutcliffe ... Gil
Sarah Clarke ... Diane
Laura Dern ... Pam
Hallee Hirsh ... Mamie at 17
Eric Jungmann ... Charley at 16 / Tom
Kim Morgan Greene ... Connie Peppitone
Rayne Marcus ... Annette
Caitlyn Folley ... Lauren (as Caker Folley)
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Storyline

An ensemble cast telling 10 stories with intertwining characters. One story is about a father and son who are dating the same woman . Another features a woman who long ago gave her baby up for adoption but is now being blackmailed by a documentary filmmaker who claims to know the now-grown child's whereabouts. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Everybody wants one. See more »


Motion Picture Rating (MPAA)

Rated R for sexual content, language and some drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

29 July 2005 (USA) See more »

Also Known As:

Finais Felizes See more »

Filming Locations:

Glendale, California, USA See more »

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Box Office

Opening Weekend USA:

$240,075, 17 July 2005, Limited Release

Gross USA:

$1,311,633, 11 September 2005
See more on IMDbPro »

Company Credits

Production Co:

Lions Gate Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Ray Liotta turned down the role of Frank McKee. See more »

Goofs

The position of the sunglasses in Jude's hands switches between shots as she's laying by the pool talking to Frank McKee. See more »

Quotes

[first lines]
Charley: [chasing Mamie] Wait! Wait!
Woman Driver: [hits Mamie] My God! Oh my God! Oh my God! I didn't see her! I didn't see her!
Charley: Oh my God!
Woman Driver: Oh my God, I'm so sorry, I didn't see her!
Charley: Do you have a cell? Call 911!
Woman Driver: Oh God.
Passerby: Hey, is she all right?
Charley: I don't know.
Woman Driver: [on phone] 911? Yes, hurry, we need an ambulance quick.
[...]
See more »

Crazy Credits

The only opening credit is the title. See more »

Connections

Featured in Fabulous! The Story of Queer Cinema (2006) See more »

Soundtracks

Castillo
Written by Hugh Burns
Performed by Hugh Burns
Published by Extreme Production Music (ASCAP)
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Frequently Asked Questions

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User Reviews

 
Friendships, secrets and lies; multi-chaptered comedy-drama with some standout performances...
14 April 2008 | by moonspinner55See all my reviews

Don Roos wrote and directed this lively, sometimes poignant, but not especially funny comedy-drama centering around an abortion counselor's secret that she had given birth to her step-brother's baby when she was a teenager and quickly gave it up for adoption. In this role, Lisa Kudrow really excels with the writer-director's dryly observant style: she's loose but not flailing, inquisitive but not harping, apprehensive but not frightened. Kudrow (whose comic timing reminds one of Roseanne's in the early years of her TV sitcom) mixes a look of anxiety, despair, nervousness and anticipation with astonishing skill--even when her character is humiliated (or humiliates herself), Kudrow has a way of keeping all the flightiness grounded in some form of reality. Matching her, Maggie Gyllenhaal and Tom Arnold have some wonderful early scenes; she's a born user and a killer karaoke singer, while he plays the father of the gay 21-year-old drummer whom Gyllenhaal has already seduced and discarded. It's too bad we don't get more of this relationship, and also unfortunate that Roos covers up most of their dialogue with soundtrack music (it's a coupling which happens in montage). Roos plants little subtitles throughout the movie to help sort out who's-who, and this works to some degree (yet it's a relief when the device is momentarily given a rest). Some of the other story threads are dim (a couple of which center on gay men turning their homosexuality on and off like a light-switch), but Kudrow's work and Tom Arnold's natural, easy-going presence keep the film absorbing and often appealing. And nobody sings "Just the Way You Are" like Gyllenhaal. **1/2 from ****


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