With a plan to exact revenge on a mythical shark that killed his partner, Oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
When his partner is killed by the mysterious and possibly nonexistent Jaguar Shark, Steve Zissou and his Team Zissou crew set off for an expedition to hunt down the creature. Along with his estranged wife, a beautiful journalist and a co-pilot who could possibly be Zissou's son, the crew set off for one wild expedition.Written by
Wes Anderson claimed to be going through an Italian phase during the time of making the film. That's one of the reasons why it was shot in Rome at the Cinecitta Studios. See more »
As Steve and Ned walk through the ship, after Steve surprises them in Jane's cabin, they walk past a white picture in which the camera is reflected. See more »
Ladies and gentlemen, we are very pleased to welcome you to the world premiere of Part 1 of the newest film from a great favorite of ours here at Loquasto, Mr. Steve Zissou. A brief Q & A will immediately follow the screening. Thank you.
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In the scene of the credits where the crew boards the Belafonte, Ned can clearly be seen at the top of the ship in full pilot's uniform smoking his pipe. See more »
Although one person I was with at the pre-screen hated it, I absolutely loved it. I think it will just be one of those kinds of films (but hey, I also loved "The Adventures of Baron Munchausen" which this reminded me of). Pure crazy fantastical stuff and I was completely taken with it.
It's a visually beautiful film with loads of odd little CG touches and subtle visual gags. The cutaway tour of the ship was a classic. Murray gives an amazing, energetic, yet deadpan performance and I also liked the richness of the smaller roles like "Klaus." The soundtrack was quirky and wonderful with unexpectedly hilarious Bowie covers and pounding, rocking tracks in the action scenes.
I think the gorgeous locations, sets and props nearly steal the show--kind of reminded me of "Brazil" in that way and I think it is destined to become a cult film in the same way "Brazil" has.
I can't wait to take some friends of mine and see what they think once it opens--this is one of those movies that's so different and off the wall that it will be interesting to see how it plays out. Although I realize it's getting mixed reviews, I'll stick my neck out and call it a masterpiece.
Being old enough to have grown up with Jacques Cousteau, I felt Anderson really captured the look and feel he was after with the the "movie within the movie" sequences and the yellow typographical stuff was spot-on.
If, like me, you're bored with the usual metroplex fare, this odd, unexpected movie is for you. What a blast! Wheeeeee!
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