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Godzilla: Tokyo S.O.S. (2003)

Gojira tai Mosura tai Mekagojira: Tôkyô S.O.S. (original title)
One year after the fight between Godzilla and Mechagodzilla, the two monsters along with Mothra face off in a conclusive battle royale.

Director:

Masaaki Tezuka

Writers:

Masaaki Tezuka (screenplay), Masahiro Yokotani (screenplay)
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Cast

Cast overview, first billed only:
Noboru Kaneko Noboru Kaneko ... Yoshito Chûjô
Miho Yoshioka Miho Yoshioka ... Pilot Azusa Kisaragi
Mickey Koga ... Mechagodzilla Operator Kyôsuke Akiba (as Mitsuki Koga)
Hiroshi Koizumi Hiroshi Koizumi ... Dr. Shin'ichi Chûjô (Linguist / Yoshito's father)
Akira Nakao Akira Nakao ... Premier Hayato Igarashi
Kôichi Ueda Kôichi Ueda ... General Dobashi
Kô Takasugi Kô Takasugi ... JSDF Lieutenant Togashi
Masami Nagasawa ... Shobijin (Twin Fairy)
Chihiro Ohtsuka Chihiro Ohtsuka ... Shobijin (Twin Fairy) (as Chihiro Ôtsuka)
Takeo Nakahara ... JSDF Chief Hitoyanagi
Norman England Norman England ... Sgt Woodyard
Naomasa Musaka Naomasa Musaka ... Gorô Kanno
Yumiko Shaku Yumiko Shaku ... Akane Yashiro
Yûsuke Tomoi Yûsuke Tomoi ... Lieutenant Hayama
Taigi Kobayashi Taigi Kobayashi
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Storyline

Forty-two years after her first visit in Tokyo, Mothra returns to warn mankind that they must return Mechagodzilla, along with Godzilla's bones, to the sea, for the dead must not be disturbed. If not, dire consequences will follow. However, Godzilla is once again on the rampage, and Mechagodzilla is Japan's only defense. Written by Oliver Chu

Plot Summary | Add Synopsis

Taglines:

Shitô kara ichi'nen...hitobito wa tashika ni shôri te ni shita to shinjita...kare ga futatabi awarareru made ni...! (One year after the battle to the death...humankind believed it had certain victory in its hands...until he appeared once again...!) See more »


Motion Picture Rating (MPAA)

Rated PG for sci-fi monster violence and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Japan

Language:

Japanese | English

Release Date:

13 December 2003 (Japan) See more »

Also Known As:

Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S. See more »

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Box Office

Cumulative Worldwide Gross:

$10,724,345
See more on IMDbPro »

Company Credits

Production Co:

Toho Company See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital EX

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

In this film, Hiroshi Koizumi reprises his role of Professor Shin'ichi Chûjô from the original Mothra (1961), which he starred in 40 years earlier. See more »

Crazy Credits

After the final credits, its is revealed that an unnamed lab is ready to create ANOTHER Godzilla clone. See more »

Connections

Follows Godzilla vs. Megaguirus (2000) See more »

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User Reviews

 
In a rut?
12 October 2006 | by winner55See all my reviews

I agree with reviewers who write that the film is competently made and reasonably entertaining, but I also agree that with this movie, the series seemed to have gotten stuck in a rut.

In fact, towards the end of what is known as the "Hesei" period of Godzilla films, the film-makers of the series developed a formula which became standardized for the "Millenium" phase: as the movie opens, we find the humans worried about a possible attack from Godzilla. Then they either build another monster, or have one flown in. The two (or three) monsters have a big fight in down-town Tokyo, Godzilla is tossed back into the sea, the end.

Of course, all genre films use formulas and conventions. But the stronger entries in any genre are precisely those in which the film-makers try out new approaches and variations to these formulas. In the so-called "Showa" phase of the Godzilla films (1954- 1985), there were plenty of multi-monster wrestling matches and attacks on Tokyo, etc.; but there were also some weird experiments, some that worked (Son of Godzilla is highly entertaining, if one doesn't ask for much) and some that didn't (Godzilla's Revenge). But the real point is that they were different, and challenged their viewers to decide whether the differences ought to be kept or scratched for the next episode in the series.

But with Tokyo S.O.S, it became clear that the 'Millenium" series writers and directors could only rarely innovate or improvise. The fight scenes in Tokyo became pretty much same-old same-old, film-to-film, and this is a dangerous thing to do when your protagonist is a guy in a rubber monster suit. When we see the same thing, film after film, we start getting bored, and when we start getting bored, we get distracted, and notice things like, hey, isn't that really just a guy in a rubber monster suit? Tokyo S.O.S. isn't quite down to this level; it is very professionally made. But there's no doubt that by the time it was made, it was time for something new.


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