Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickiemarts.
Brian Lackey is determined to discover what happened during an amnesia blackout when he was eight years old, and then later woke with a bloody nose. He believes he was abducted by aliens, and N. McCormick, a fellow player on Brian's childhood baseball team, may be the key as to exactly what happened that night. As Brian searches for the truth and tries to track him down, Neil McCormick takes up hustling and moves to New York, in attempts to forget childhood memories that haunt him. Together, the two of them uncover the terrible truth of the scars they share.Written by
Original novelist Scott Heim wrote a draft screenplay which he then entered into the Sundance screenwriting lab. Gregg Araki was on the judging panel and the two became friends. Eventually it was mooted that Araki himself tackle the material. See more »
It appears that Joseph Gordon-Levitt wasn't wearing the blue contact lenses at the bus stop when Wendy's leaving for New York. See more »
The summer I was 8 years old, five hours disappeared from my life. Five hours. Lost. Gone without a trace.
Last thing I remember I was sitting on the bench at my Little League game. It started to rain. What happened after that remains a pitch black void.
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The 2005 film reviews generally list a 99 minute run-time. The British Board of Film Classification, bbfc.co.uk, rated the uncut 105m 19s film as 18 on 5/20/2005. The 3/20/2006 "Unrated Director's Edition" Strand Releasing DVD has a 104m 59s run-time, but its case lists a 99m length; it is also anamorphic 853x479 pixels format (1.78:1 aspect) but the case lists Letterboxed. The Internet Movie Database technical specifications list a 107 min Sundance Channel Library Print, but on Sundance.com Sundance TV lists a 105 minutes run-time. See more »
Catch the Breeze
Written by Neil Halstead
Performed by Slowdive
Courtesy of Creation Records Ltd./SBK Records
Under license from SINE a division of Sony Music Entertainment (UK) Limited/EMI Film & Television Music
Used by permission of EMI Blackwood Music Inc. See more »
I had high hopes for this film, since I have been a big fan of the novel on which it is based. The film exceeded my expectations in every way. Although quite faithful to the book (with many lines of dialogue and narration moving straight from Scott Heim's poetic prose), the movie has more drive and focus and pulls you so far into the troubled characters. Credit for the movie's strength goes all around -- director Araki put his mark on the story without taking it over. He got uniformily good performances (and somehow managed to direct scenes that any reader of the book would have thought completely unfilmable). Kansas has never looked better, or more sinister. The music is used well throughout.
And the acting is terrific. The two youngest leads, Chase Ellison and George Webster, were entirely convincing in their scenes (and I hope they feel proud of their work, seeing as how there's no way they'll get to see this movie until sometime next decade). Michelle Trachtenberg and Jeff Licon have fairly thankless roles, playing characters who are somewhat less clear and crucial in the film than their characters were in the book. But they don't sweat that, they just play what the screen play has them do, and they excel. Licon, especially, I think, although Trachtenberg is at a disadvantage, as her part is really pretty small.
And for me, at least, I think Mary-Lynn Rajskub, Brady Corbet, and Joseph Gordon-Levitt give about as good performances as one can give. Rajskub is so good that she gives the other actors in the film a space to react that is almost visible. Corbet is quiet and intense; if his performance sometimes lacks motivation, it is probably deliberate, as his character is struggling with identity and memory. And as for Gordon-Levitt, man, that guy can act. I really have a hard time thinking of any acting performance ever that has affected me as much.
It is a difficult story, although I felt it ends hopefully. Hopefully, you will agree. Content is very strong, although perhaps not NC-17 strong. Not for kids. Adults, if you can get past the 2nd scene, you can get through it, but there is a lot of outlawed sexuality and violence. It is painful to watch at times, but to me at least, that's because the actors and the director managed to immerse me in the characters.
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