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A man sells his soul to the devil in order to gain superpowers and avenge the brutal death of his girlfriend. When he realizes that the price is the soul of his new love interest, he turns on the devil.
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After 13 years in prison, the mad scientist from Re-Animator (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate dead people. Good intentions turn to horror.
Tommy Dean Musset,
A reporter investigating the bizarre death of a woman who leaped from a building in flames finds herself mixed up in a cult of witches who are making her part of their sacrificial ceremony during the Christmas season.
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In 2018, in Spain, the prisoner Dante (William Miller) escapes from a prison and is chased by a robot dog. He tries to reach the city of Puerto Angel, where he left his beloved girlfriend Ula (Irene Montalà). While running away, he recalls his recent past in Spain with Ula.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
While searching for Ula, Dante is told that she is either dead or puta. Puta is also used in other scenes such as when Alyah describes who she used to be. Puta is Spanish for whore. See more »
(at around 39 mins) When Dante is on the river's edge screaming at the rottweiler coming to get him, his handcuff is on his right hand, while previously and throughout the rest of the movie it had been on his left. See more »
Not much fun. Watch - or revisit - Yuzna's "Society" instead.
To call this one a dog would be way too obvious a joke, but it certainly is also an odd duck of a movie. It's set in a futuristic Spain (and filmed there as well), where a prison escapee, Dante (hunky William Miller) embarks on an increasingly weird odyssey to reconnect with the girl he left behind, all the while pursued by the title canine, an unstoppable cyborg with steel teeth. Much of the story is told in flashback, as we see the sequence of events that led to this point. One has to assume that the novel "El Perro" upon which this is based makes at least some things clearer, but it's hard to say just what the screenwriters and director Brian Yuzna are thinking, as this thing often alternates between utter cheese and incredible surrealism. It's extremely laughable; that chicken reaction shot has got to be, far and away, one of the brightest moments along the way, which speaks volumes for "Rottweiler"'s W.T.F. quality. It gets awfully repetitive, with tough guy Dante surviving one encounter with his four pawed nemesis after another, and gives Miller awfully crummy dialogue, even having him say clichéd garbage like telling the dog to fry in hell. The entire episode with the mother and daughter has to been to be believed, as the lady gets a look at Mr. Miller in the buff and forces herself on the guy. That does, though, lead one to note just how much beefcake is thrust in the viewer's face, with Miller obliged to do protracted scenes of nudity. Overall, the viewer may have a hard time wondering what to make of all this. It's not without some entertainment value, but, ultimately, it's just too hard to care about this story and the characters fail to spark much interest. The dog himself is pretty cool, though, and there's a sufficient amount of gore and nastiness to give the movie some spark. If one is going to watch it for the presence of legendary Spanish horror actor Paul Naschy, note that he's in just a few scenes, but he makes the most of his screen time, delivering a delicious performance as the villain, although he can't really save it. Prospective viewers should proceed at their own risk. Four out of 10.
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