Three friends filming an audition tape for an extreme reality show take part in shark cage diving, only to be left in great white infested waters, turning their recording into life and ... See full summary »
A couple on a holiday in the Caribbean decide to spend the day on a scuba diving trip. But was it the wrong decision? When a mis-count happens on the boat, Susan and Daniel are left behind in the middle of the ocean, the boat long gone. With all their hopes set on the boat coming back to rescue them, they try to keep themselves safe, especially when sharks start to appear.Written by
At the end when a search is started. The sea plane taking off has turboprop engines(Turbine Engine with propellers). The sound is of piston engines. See more »
[on his cellphone]
Hey Don. It's Daniel. Listen, don't put the boiler in until I get back. The framing inspection isn't for a couple of weeks, so we've got plenty of time. And I'll check in with you guys in a couple of days, OK? Take care. Bye.
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As the credits roll, a fisherman guts a dead shark. As he sorts through the contents of its stomach, he finds Susan and Daniel's yellow camera. See more »
Should have been shocker but turned out to be a TV docu-drama
First of all congratulations to Chris Kentis for spotting this topic and writing and directing the film. Now you can tell after praising the film maker up front the rest of this review is going to be quite critical! This film unnerved me, it made me feel uncomfortable as well and that's the problem - it should have frightened the absolute living daylights out of me! Because I rate being deserted at sea in shark-infested waters right up there in the scary-stakes with being buried alive. Now I respect Mr Kentis and his collaborators decision to tell the story in a very minimalist way, I guess they considered this story was powerful enough on its own not to require a heavy hand, and I could have agreed with them pre production. But now having seen it I don't think it was. I'm not saying they needed full on John Williams score and masses of special effects but perhaps varying the camera angles a bit more would have worked better.
Most of the story is told with the camera in an elevated position looking down on the protagonists, i.e a boat! This means I am divorced from any threat or the action. Couldn't we have got down to eye level more allowing us to feel we were more apart of the story? It was our toes about be chomped off? I'm afraid in the drama stakes this movie never got anymore dramatic than the average TV docu-drama and that's a real shame for after coming up with this concept and creating a half decent script Mr Kentis has missed an opportunity to create a classic.
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