The Virgin Queen explores the full sweep of Elizabeth's life: from her days of fear as a potential victim of her sister's terror; through her great love affair with Robert Dudley; into her ... See full summary »
18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.
When Elizabeth Tudor comes to the throne, her (male) advisers know she has to marry. Doesn't she? Thus starts a decades-long political/ matrimonial game, during an age of high passions and high achievement.
An adaptation of William Makepeace Thackeray's classic story of parvenue Becky Sharp's rise from obscure & humble origins to her subsequent ignominious fall from Society; set amongst the ... See full summary »
The title is taken from the nursery rhyme about Guy Fawkes and the Gunpowder Plot. Many versions of the rhyme exist, and its origins are unclear. But most begin with these lines: "Remember, remember / the fifth of November / the Gunpowder Treason and Plot. / I know of no reason / why the Gunpowder Treason / should ever be forgot." See more »
At the beginning Mary is depicted as a young, unmarried girl who had spent 13 years in exile in France. Actually, she was a widow. She had been married to the French king who had died very young. See more »
Mary, Queen of Scots:
When I was a child, the English waged war upon Scotland, and my mother sent me to France for safety. I remained in exile for 30 years, and never saw my mother's face again. But now I will have my revenge. One day my child, my mother's grandchild, will take the English throne.
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You'd think that combining a good director, excellent actors and fascinating
historical events would make for an entertaining miniseries -- but you'd be
wrong. The writing stank, the history was worse than inaccurate, and I can
barely believe excellent actors such as McKidd and Carlyle were able to deliver some of their lines with a straight face. Historical inaccuracies aside, the story itself was delivered so disjointedly it was downright choppy -- almost as if an entirely different director and writer made each half. Skip this one.
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