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Kill Bill: Vol. 2 (2004)

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The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd, and the treacherous, one-eyed Elle.

Director:

Quentin Tarantino

Writers:

Quentin Tarantino, Quentin Tarantino (character The Bride) (as Q) | 1 more credit »
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1,085 ( 575)
Nominated for 2 Golden Globes. Another 22 wins & 81 nominations. See more awards »

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Cast

Cast overview, first billed only:
Vivica A. Fox ... Vernita Green
Ambrosia Kelley ... Nikki (as Ambrosia Kelly)
Michael Parks ... Earl McGraw / Esteban Vihaio
James Parks ... Edgar McGraw
Jonathan Loughran ... Trucker
Michael Bowen ... Buck
Kenji Ohba Kenji Ohba ... Bald Guy (as Kenji Oba)
Yoshiyuki Morishita Yoshiyuki Morishita ... Tokyo Businessman (as Yoshijuki Morishita)
Jun Kunimura ... Boss Tanaka
Goro Daimon Goro Daimon ... Boss Honda
Kazuki Kitamura ... Boss Koji / Crazy 88
Akaji Maro ... Boss Ozawah
Shun Sugata Shun Sugata ... Boss Benta
Sachiko Fujii Sachiko Fujii ... The 5, 6, 7, 8's (as The 5 6 7 8's)
Ronnie Yoshiko Fujiyama Ronnie Yoshiko Fujiyama ... The 5, 6, 7, 8's (as The 5 6 7 8's)
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Storyline

The murderous Bride is back and she is still continuing her vengeance quest against her ex-boss, Bill, and taking aim at Bill's younger brother Budd and Elle Driver, the only survivors from the squad of assassins who betrayed her four years earlier. It's all leading up to the ultimate confrontation with Bill, the Bride's former master and the man who ordered her execution! Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Taglines:

Here comes the bride. See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and brief drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English | Cantonese | Mandarin | Spanish

Release Date:

16 April 2004 (USA) See more »

Also Known As:

Kill Bill Part 2 See more »

Filming Locations:

Careyes, Jalisco, Mexico See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$25,104,949, 18 April 2004, Wide Release

Gross USA:

$66,208,183, 28 May 2012

Cumulative Worldwide Gross:

$152,159,461, 28 May 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Unlike every other Quentin Tarantino film (including Kill Bill: Vol. 1 (2003)), this movie doesn't end with "written and directed by". Instead, Tarantino shows his own credit at the end of the main credits, but before the crew credits, for the various locations at which Kill Bill was filmed. See more »

Goofs

During the fight between Elle Driver and the Bride, the eye patch moves and you can see the reflection of the "missing" eye beneath it. See more »

Quotes

[first lines]
Bill: Do you find me sadistic? You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. At this moment, this is me at my most masochistic.
The Bride: Bill, it's your bab...
[BLAM!]
See more »

Crazy Credits

The first part of the end credits is presented in mid-20th century format with dotted lines and curly braces for credit groups. See more »

Alternate Versions

Hong Kong version differs very slightly from the US version. The only difference is that some alternate shots were used in the scene where Beatrix drives to Esteban and the scene where she finally goes to him in the village. See more »


Soundtracks

About Her
Written by Malcolm McLaren (as M. McLaren), W.C. Handy, Rod Argent
Performed by Malcolm McLaren
Courtesy of Malcolm McLaren
Contains samples of "She's Not There"
Written by Rod Argent
Published by Marquis Music Co. Ltd.
Performed by The Zombies
Licensed courtesy of Marquis Enterprises Limited
and of "St. Louis Blues"
Written by W.C. Handy (as William C. Handy)
Published by Handy Brothers Music Co., Inc., New York
Administered by EMI Music Publishing Ltd.
On behalf of Francis Day & Hunter
Performed by Bessie Smith
Original recording from the film "St. Louis Blues" in 1929
Used with permission. All rights reserved.
See more »

Frequently Asked Questions

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User Reviews

 
The Better Half
24 September 2004 | by slokesSee all my reviews

It's a matter of some debate which volume of Quentin Tarantino's "Kill Bill" is better. Let's end the argument right now: David Carradine doesn't even appear in "Volume 1." Hasn't the Academy mailed him his Best Supporting Actor Oscar already?

In the first volume of "Kill Bill," released only a few months before "Vol. 2" in the tail end of 2003, we met Uma Thurman, one peeded-off super-assassin taking out some folks from her past one at a time, with the occasional mega-posse thrown in for interest. "Vol. 1" had a lot of blood, violence, and wisecracks, and galloped across the screen like a rap video on steroids.

"Vol. 2" is way different. It makes sense it's a separate movie; the tone is such a departure from "Vol. 1" in two ways. One is style. Director Tarantino has fun stylistically quoting Sergio Leone and chop-fu cheapos from the late 1960s and early 1970s. Cinematic sampling is something he's good at and enjoys, but in "Vol. 2" he doesn't go as overboard as he does in "Vol. 1." He pulls back and lets the plot breathe, rather than filling every spare second with a homage-cum-parody that maybe a dozen lucky fans will get. Maybe some here wish he'd pile it on a bit more, but they have to make do with the goofy Pei Mai sequence, which is a flashback and hence not jarring in its "Vol. 1"-style comic-book treatment. Throughout "Vol. 2" the emphasis is on storytelling and character-building, which is where it should be given we are now being asked to deepen our commitment of interest to these people. "Vol. 1" is okay for what it is, but its flash and action are no match for the depth and nuance of "Vol. 2."

This gets to the second different tonal difference between the films, which is emotional. It all comes back to the characters. They don't quite become real people here, but they get close enough to get under your skin. Admittedly, the opening part of "Vol. 2" tests the viewer's patience a bit, there's some long bits that show the director hasn't really mastered self-discipline, like with Thurman's graveyard struggle, but the meandering usually has a purpose. Tarantino is building toward something here that has its payoff when Thurman's character finally has her face-to-face showdown with Carradine's Bill.

From that moment forward to the end, this is the best Tarantino has ever been.

Carradine and Thurman dominate the proceedings with two of the finest performances I've seen, certainly the best Tarantino has directed, playing off the mythology we've been taught in "Vol. 1" and developing resonances with the viewer both together and apart which will surprise those expecting a casual butt-kicking affair. We finally find out what Carradine means in the first line of "Vol. 1" where he tells a whimpering victim he is being masochistic, not sadistic, and its a powerful revelation, that this sinister baddie may have a heart buried under that cold exterior. Carradine is perfect in his phrasing, his pauses, the tired glint in his eye, or the way he says "Kiddo." You can't ask for a better veteran performance. For her part, Thurman presents a brilliantly conflicted character who can not stop either hating or loving Bill, and brings us not into a world of cartoon anguish, but real human pain.

"Kill Bill Vol. 2" is slow-moving, and needs "Vol. 1" in a way few sequels do, since it assumes you know nearly all the characters coming in. That's a weakness. So are some undeniably pointless bits, including the entire sequence with Bill's father figure, Esteban Vihaio, and some business at a bar involving Michael Madsen, who plays a former assassin now gone to seed.

Madsen's good, though, and so's Daryl Hannah as another rather mouthy assassin, Gordon Liu as Pei Mei, and especially Perla Haney-Jardine as a girl named B.B. The nice thing with Tarantino is for every scene that strikes a bum note, there's four or five that hit the right mark, and some manage to do much more. My favorite scene involves a Mexican standoff in an L.A. hotel room between Thurman's character and an anonymous hitwoman, at once grippingly suspenseful, hilarious, and life-affirming. Still, it's the final moments of this film that will stay with you, as Bill and his former pupil work out their "unfinished business" and we are left to ponder the results of their decisions and actions.

"Kill Bill Vol. 2" may not reach the heights of cinema to which it aspires, the level of "The Good, The Bad, And The Ugly" quoted in its score, but it's a fine film that will make most viewers glad they stuck around for the second installment. I am.


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