Painter Kai Merilä wakes up from a 7-month coma after being in a road accident while DUI. Suffering from amnesia, he returns to his villa in the Finnish countryside, where the accident took... See full summary »
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1  
1988  
1 win. See more awards »

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Cast

Series cast summary:
Eero Melasniemi Eero Melasniemi ...  Kai Merilä / ... 4 episodes, 1988
Anna-Leena Härkönen ...  Nina 4 episodes, 1988
Esa Anttila Esa Anttila ...  Kasimir 4 episodes, 1988
Mikko Hänninen Mikko Hänninen ...  Palkonen 4 episodes, 1988
Martti Tschokkinen Martti Tschokkinen ...  Nimismies 4 episodes, 1988
Turo Pajala ...  Konstaapeli 4 episodes, 1988
Johanna Raunio Johanna Raunio ...  Laura 4 episodes, 1988
Jyrki Kovaleff Jyrki Kovaleff ...  Kauppias 4 episodes, 1988
Raili Tiensuu Raili Tiensuu ...  Kasimirin äiti 3 episodes, 1988
Juha Mäkelä Juha Mäkelä ...  Rikospoliisi 2 episodes, 1988
Eeva-Kaarina Volanen ...  Merilän äiti 2 episodes, 1988
Liisa Paatso Liisa Paatso ...  Kauppiaan rouva 2 episodes, 1988
Pertti Palo Pertti Palo ...  Ralf Sundel / ... 2 episodes, 1988
Yrjö Parjanne Yrjö Parjanne ...  Lehden toimittaja 2 episodes, 1988
Markku Riikonen Markku Riikonen ...  Apteekkari 2 episodes, 1988
Outi Haaranen Outi Haaranen ...  Kylän nuoria / ... 2 episodes, 1988
Rea Mauranen Rea Mauranen ...  Kerstin Sundel 2 episodes, 1988
Soli Labbart Soli Labbart ...  Taloudenhoitaja 2 episodes, 1988
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Storyline

Painter Kai Merilä wakes up from a 7-month coma after being in a road accident while DUI. Suffering from amnesia, he returns to his villa in the Finnish countryside, where the accident took place the previous year. Every villager remembers the painter - he remembers no one. Merilä receives an assignment from one Mrs. Sundel to paint a portrait of their daughter Nina, who has gone missing. The horrible memories from his past come back to him little by little as he paints Nina's portrait using only photographs taken of her. Written by Talvi

Plot Summary | Add Synopsis

Genres:

Horror | Mystery

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Details

Country:

Finland

Language:

Finnish

Release Date:

1988 (Finland) See more »

Also Known As:

Alptraum See more »

Filming Locations:

Finland See more »

Company Credits

Production Co:

Mainostelevisio (MTV) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(4 episodes)

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Caused quite a stir in the Finnish tabloid press for having the former Miss Finland Johanna Raunio appear (briefly) nude. See more »

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User Reviews

The best horror we have, for now.
19 December 2013 | by YrmySee all my reviews

I can remember there was true excitement in the air on those four nights in 1988 that Painajainen first aired. Horror, that most rejected of all film genres in Finland, seemed to finally have its big day on the small screen. While censorship and lack of finance had kept cinema practically horror-free for over thirty years and just as panicked cinema owners and calculating politicians were riding the hysteria wave to curtail the video market with one of the most restrictive home video laws in Western Europe, television offered an unlikely oasis for domestic horror to make an occasional appearance. Painajainen stood out in its day, got good viewing figures and was even awarded by the industry.

So how does Painajainen come across quarter of a century later on DVD? It certainly seems mostly like a taut and effectively made little chiller on a not-so-original template. Melasniemi's alcoholic artist wakes up from a seven-month coma with no memory of the months before the car crash that sent him there. He retraces his move to an isolated cottage in the country, and is soon confronted with nightmarish visions – or are they flashbacks? – of a young woman. She of course turns out to be a local tycoon's wayward daughter, who has been missing since the previous summer. Other usual suspects in the search for the truth about her disappearance include a sleazy teacher, a hulking voyeuristic simpleton protected by his long-suffering mother, a hot-headed young copper and a gregarious but authoritarian rural police chief. Even a psychic and a mother complex turn up to spice up the soup.

However, director-writer Sajakorpi vamps his familiar riffs with skill and sustains the suspense through the necessary twists and turns of the story. Though the use of 1980s videotape technology does impose certain visual flatness, he stages a few very atmospheric sequences and uses colour creatively. Also Penderecki's swirling masses of sound on the soundtrack come occasionally across as heavy-handed in their underlining assault, but they do help to infuse some of the scenes with true menace. Plundering modern art records for a score is just one of the many of the tricks and motifs that Sajakorpi first test-drove with 1984's one-off Merkitty. And of course he does deliver the necessary meat, though more as rather exploitative eroticism than as gore – on-screen nudity being far smaller a deal than graphic violence in Finnish television.

The cast are a bit uneven, but fortunately Melasniemi conveys perfectly and often with little dialogue the wide-eyed astonishment and fear of a man who is truly a stranger to himself and all the more tragic because he tries to understand and do the right thing. Also actress-author Härkönen creates one of the most memorable portraits of a spoiled, manipulative harridan in television history. Her character may be more archetypal than remarkable, but she plays it to the maximum effect.

I suppose the same can be said of Painajainen itself. Not the new dawn of Finnish horror it may have seemed like back then, it just makes the best of its resources and offers a reasonably gripping ride into darkness. It also became something like the culmination of Finnish television horror, as it has had few followers. Cinematic horror has persisted in the amateurs' delirious dreams and gory video fantasies, but only in the last few years has it started making tentative probes into the mainstream in films like Sauna and Rare Exports. Not dead but dormant and darkly dreaming, Finnish horror is yet to have its day.


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