Raphael is a ghostwriter who takes a job writing for famous footy player Kevin. To his delight and his girlfriend, Murials horror, Kevins current girlfriend is an old (easily rekindled) ...
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1809, France. Captain Neuville is called to the front, leaving his future bride heartbroken. Her sister decides to write letters on his behalf to cheer her up. But it all goes south when Neuville reappears.
Squale, an ace spy, is called back from South America to carry out a tough operation. Goal: dismantle an international arms traffic masterminded by an important French government official. ... See full summary »
Diane agreed, without hesitation to bear the child of a gay couple, Thomas and Jacques, her close friends. During her pregnancy, she moved to the old house of her grandparents in the ... See full summary »
A French public servant from Provence is banished to the far North. Strongly prejudiced against this cold and inhospitable place, he leaves his family behind to relocate temporarily there, with the firm intent to quickly come back.
Raphael is a ghostwriter who takes a job writing for famous footy player Kevin. To his delight and his girlfriend, Murials horror, Kevins current girlfriend is an old (easily rekindled) flame of Raphaels. A freak accident leaves a close friend dead and Raphael is forced to reconsider his priorities.Written by
Everyone plays well in this silly rom-com that showcases the bemused Edouard Baer dealing with the two charming Parisiennes in his life. Only the director was at fault for generating yet another script about a writer, as if there had not already been several hundred of vastly varying quality. Still, the basic situation is amusing enough, a ghostwriter (negre in French) is all style and literally no content. When a star footballer starts dictating that "his" autobiography is to be written in the style of Baudelaire, Raphael (Baer) starts to rebel, and his own creations come into play, kicked to life by his two lovely women. His friends, who are little more than caricatures, illustrate failed creativity and at last Raphael manages to come up with something real that gets good press, if not great sales. The final flourish, however, goes to Marie-Josee Croze's character and the film ends on a mellow note that is bound to please the ladies. Altogether a good audience-pleaser with some decent laughs that is highly recommended. One note: following the trend, neither of the leading ladies, nor M. Baer, removes any of their clothes.
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