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Captain Alatriste: The Spanish Musketeer (2006)

Alatriste (original title)
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Viggo Mortensen plays the Spanish soldier-turned-mercenary Captain Alatriste, a heroic figure from the country's 17th century imperial wars.
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Cast

Cast overview, first billed only:
Viggo Mortensen ... Diego Alatriste
Elena Anaya ... Angélica de Alquézar
Unax Ugalde ... Íñigo Balboa
Eduard Fernández ... Sebastián Copons
Eduardo Noriega ... Conde de Guadalmedina
Ariadna Gil ... María de Castro
Juan Echanove ... Francisco de Quevedo
Javier Cámara ... Conde Duque de Olivares
Antonio Dechent ... Curro Garrote
Blanca Portillo ... Fray Emilio Bocanegra
Francesc Garrido ... Martín Saldaña
Pilar López de Ayala ... Mujer de Malatesta
Jesús Castejón ... Luis de Alquézar
Cristina Marcos ... Joyera
Luis Zahera ... Pereira
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Storyline

Spain 17th century.Diego Alatriste, brave and heroic soldier, is fighting under his King's army in the Flandes region. His best mate, Balboa, falls in a trap and near to die ask to Diego, as his last desire, to looking after his son Inigo and grow him as a soldier. Alatriste has to come back to Madrid. Written by 1felco

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Details

Country:

Spain

Language:

Spanish | Flemish | Latin | Portuguese | Dutch

Release Date:

1 September 2006 (Spain) See more »

Also Known As:

Captain Alatriste See more »

Filming Locations:

Baeza, Jaén, Andalucía, Spain See more »

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Box Office

Budget:

EUR24,000,000 (estimated)

Cumulative Worldwide Gross:

$23,482,607
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film is based in a series of novels written by former Spanish war correspondent Arturo Pérez-Reverte. He had the idea for the books when he had a look at his daughter Carlota's History book from school and saw that only one page was devoted to the 'Siglo de Oro', the years in the 16th-17th centuries when Spain was the world's dominating superpower. Carlota, then 12, helped her father research the period, and the first novel, published in 1996, was published with 'Arturo y Carlota Pérez-Reverte' as the author. Five novels were published before the film was shot, and the film is based in the most important episodes in all of them... and beyond. The sixth novel was published in Spain in December 2006, and Pérez-Reverte has said he has drawn some inspiration from the film for the upcoming novels. See more »

Goofs

During the white flag scene at Rocroi, the corpses around the Spanish soldiers move between takes. See more »

Quotes

Conde Duque de Olivares: Without Flanders, there's nothing... Captain.
See more »

Connections

References Ben-Hur (1959) See more »

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User Reviews

 
Intrigue, love and loyalty: a big-budget portrait of a 17th century Spanish mercenary
10 September 2006 | by westofcordobaSee all my reviews

It's big-budget, it boasts extras by the planeload, and a broad historical panorama: it's all about intrigue, loyalty, love, and loads of a real man doing what a real man's gotta do. This is the Spanish film industry's most serious attempt yet to break into the mainstream international market, and Viggo Mortensen's brooding, laconic Alatriste makes a convincing bid for the job. A heroic figure despite himself, Alatriste is the poor bloody footsoldier whose unquestioning courage provided the flesh and blood foundations of the Siglo de Oro, the golden age of the early 17th Century when the Spanish crown laid claim to half of western Europe.

In scuffed boots and floppy fedora, Mortensen cuts an attractive figure in an amoral, down-at-heel sort of way: women are prepared to leave their husbands for him, men fight for the privilege of dying at his side. We are led, or perhaps bullied, on an epic sweep through the muck and bullets of Spain's military meddling in its neighbours' affairs, seen through the jaundiced eyes of Alatriste and his fellow hired hands. Death is a constant presence; if you're not torn apart by a cannonball on the battlefield, or knifed in a dark alley, it may well come for you in the shape of the Inquisition – and in which case, you might be better off cutting your own throat.

We cut frantically and frequently back to the Spanish court, where the grandees plot and connive, and we just know that someone inconvenient is about to get dispatched to the colonies at the very least. Here, Alatriste's glint-eyed soldier's determination gives way to the quizzical gaze of a hard man out of his depth, as matters of State are signed and sealed on oaken desks. Watch your back -- you get the impression that the most blood-sodden battlefield is a far safer place to be.

The film covers a massive swathe of turbulent European history, some three decades of a long Spanish Catholic struggle against the Protestant heretics of the Low Countries. And this, perhaps, is the film's greatest flaw – the screenplay is a pull-together of some of the most dramatic episodes from a clutch of Arturo Pérez-Reverte's Captain Alatriste books, and the joins show badly. Sub-plots come and go in a tangle, and the film develops its undoubted dynamism from a regular dripfeed of another bit of swashbuckling, or whispered courtly dirty deeds, rather than the convincing development of any interplay between the characters themselves. For such a valiant warrior, poor Alatriste doesn't seem to have much say in his destiny.

That said, the film looks fabulous, from the opening misty waterlogged shots off the Flanders coast, to the final crunching battle of Rocroi. Director of Photography Paco Femenia -- responsible for the similarly atmospheric Carmen and Juana la Loca -- takes his inspiration from the contemporary canvases of Velásquez to evoke an atmosphere painted in rich earthy tones; the camera conveys the glittering sterility of the Spanish court as tangibly as the dirt that Alatriste and his ever-dwindling band of chums are forced to eat – so often without pay -- to enable their lordships to live in the appropriate style.

The film, at two hours and 20 minutes, rattles along well, but is too long. If only director Augustín Díaz Yanes had the faith in the attraction and bankability of his lead character to take a deep breath, and slice the action up into more manageable chunks: a trilogy, even. Why not? Everybody else seems to be doing it, and so often with inferior material to this.


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