Jean-Baptiste Grenouille (Ben Whishaw) came into the world unwanted, expected to die, yet born with an unnerving sense of smell that created alienation, as well as talent. Of all of the smells around him, Grenouille is beckoned to the scent of a woman's soul, and spends the rest of his life attempting to smell her essence again by becoming a perfumer, and creating the essence of an innocence lost.
Because Writer and Director Tom Tykwer considered the orgy scene to be a dance which needed choreographing, he turned to a dance troupe to help him put the scene together; La Fura Dels Baus. Chief Choreographer Jurgen Muller and his assistant Lluis Fuster were primarily responsible for the scene. Fifty key players were selected from La Fura Dels Baus, who would all be clearly seen on camera. Another one hundred experienced performers were also selected, who would appear in the background, and at the periphery of shots. These one hundred fifty dancers, combined with the six hundred extras, made up the entire assembly of seven hundred fifty people. See more »
Midway through the movie a whore appears with a Pekingese dog. The Pekingese were not formally introduced into Europe until midway through the 19th Century when Britain and France "sacked" the Chinese Empire (circa 1860). The Pekingese were kept exclusively in the Chinese Imperial Palace (Forbidden City) until then and maintained by eunuchs. The movie takes place in the mid 18th Century. While it may be possible British or French royalty could have had a Pekingese (although extremely unlikely), a French harlot owning a Pekingese in the 1700's is an impossibility. See more »
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb See more »
I didn't expect too much of the film as the producer, Bernd Eichinger, didn't succeed in my point of view with other book to film transitions like the name of the rose, the house of spirits or Smilla's sense of snow. they were all far too corny and even though each film had its moment, the films just weren't very good. I suspected the same to happen with the perfume. the teaser trailer was excellent, but the regular trailer spoilt a lot as it just showed too much and didn't capture the film's quality at all. so i entered the film with trepidation and was convinced otherwise. Tom Tykwer showed us again and again that he is a huge talent, be it winter sleeper, Lola runs or the warrior and the empress. the perfume is a visual feast. all roles are perfectly cast, the music, the camera, everything fits together like a perfect jigsaw puzzle. And the film isn't Hollywood-like mainstream like e.g. the Da Vinci Code at all. thank god. it has lots of black humor without getting cynic, it is quite amoral and at other times just immersed in beauty - and every penny of its 50 Mio euro budget shows. how much better to spend 50 Mio in the perfume than 150 Mio in crap movies like Wolfgang Petersen's latest. i am already very much looking forward to Mr Tykwer's next film. he plays in another league now.
167 of 266 people found this review helpful.
Was this review helpful to you?
| Report this