An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Jean-Baptiste Grenouille (Ben Whishaw) came into the world unwanted, expected to die, yet born with an unnerving sense of smell that created alienation, as well as talent. Of all of the smells around him, Grenouille is beckoned to the scent of a woman's soul, and spends the rest of his life attempting to smell her essence again by becoming a perfumer, and creating the essence of an innocence lost.
The method of enfleurage that Grenouille is first seen practicing is called cold enfleurage - placing live botanicals in a layer of lard or tallow set in a frame. However, this method of enfleurage was not developed until the 1800's. The movie is set in the mid 1700's. See more »
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb See more »
I didn't expect too much of the film as the producer, Bernd Eichinger, didn't succeed in my point of view with other book to film transitions like the name of the rose, the house of spirits or Smilla's sense of snow. they were all far too corny and even though each film had its moment, the films just weren't very good. I suspected the same to happen with the perfume. the teaser trailer was excellent, but the regular trailer spoilt a lot as it just showed too much and didn't capture the film's quality at all. so i entered the film with trepidation and was convinced otherwise. Tom Tykwer showed us again and again that he is a huge talent, be it winter sleeper, Lola runs or the warrior and the empress. the perfume is a visual feast. all roles are perfectly cast, the music, the camera, everything fits together like a perfect jigsaw puzzle. And the film isn't Hollywood-like mainstream like e.g. the Da Vinci Code at all. thank god. it has lots of black humor without getting cynic, it is quite amoral and at other times just immersed in beauty - and every penny of its 50 Mio euro budget shows. how much better to spend 50 Mio in the perfume than 150 Mio in crap movies like Wolfgang Petersen's latest. i am already very much looking forward to Mr Tykwer's next film. he plays in another league now.
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