Lewis is a brilliant inventor who meets mysterious stranger named Wilbur Robinson, whisking Lewis away in a time machine and together they team up to track down Bowler Hat Guy in a showdown that ends with an unexpected twist of fate.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith,
Lewis an orphan wants to see what his mother looked like. So he invents a machine that looks through your brain so you can see your memories. But this weird kid says he's from the future and warns him about a guy in a bowler hat. The bowler hat guy messes with his invention and it fails. He decides that he's a failure and no one wants him. But the kid that warned him about the guy is here on a mission to find the bowler hat guy that wants to destroy Lewis. To prove he's from the future he takes Lewis to the future. But the time machine breaks and he's stuck in the future until he fixes it. In the meantime he spends quality time with the family. But the bowler hat guy is about to alter time and it's up to Lewis to save the future.Written by
After reading the screenplay, director Stephen J. Anderson actively lobbied to direct this movie. As a child of adoption himself, Anderson personally experienced many of the emotions (questions about belonging, being wanted, etc) that Lewis expresses in the film. [source: director's DVD commentary] See more »
Fire sprinklers don't work as depicted in the gymnasium scene. They are set off by heat (flames) not just smoke, and only the affected sprinkler releases water, not every sprinkler in the room or building. See more »
Michael "Goob" Yagoobian:
Then, um, I didn't choose that one because it was gonna give me pimples so I choosed, um, another scary one cause for, um, all those years that I went for halloween I wasn't scary at all... I love baseball. It's my destiny to play that game. And I don't really care about winning. Well, like, now i do, cause, like, we've lost every game and I've gotten tired of it! I'm working like so hard, all the balls are getting thrown to me, I'm trying to catch like everyone. All of the people ...
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In the 3D version, most of the closing credits are in 2D; however, the credits for the people who created the 3D version are in 3D. See more »
In the U.S. version, Wilbur tells Lewis that his father, Cornelius, looks like Tom Selleck, who happens to be the voice-actor. In the German version, Wilbur says his father looks like Thomas Gottschalk, who happens to be the voice-actor in this version. In the Latin American version, Wilbur says his father looks like José Luis Rodríguez "El Puma". In the Italian version, Wilbur says his father looks like Giovanni Muciaccia, the Italian Art Attack presenter, who is his voice-actor in this version. In the Spanish version, Wilbur says his father looks like Raphael. In the Japanese version, Wilbur says his father looks like Kazuhiko Inoue . See more »
Great, but a little frightening for very young children
Was a little "ify" about taking my 5 and 2 year old daughter's to this movie. Actually was concerned that it may not hold their attention. Based on some reviews, I honestly didn't think I would care for it.
Being a huge fan of Disney's work, but seeing their young target audience erode to the digital-only studios, I was hoping they'd come back to strong story lines.
Well, Meet the Robinsons was a surprise to me. Had a great story line, extremely visually appealing, awesome voicing (I do professional voice work so have a different appreciation for this), and an all-round great movie.
The only negative thing I must say (without spoiling the movie) is that when it came down to the part of the movie where it changes and you see much more of the hat in the future (again, don't worry.. no spoiler in this info) both of my daughters were pretty frightened and jumped to my lap. The visuals and content during this part of the movie really took on a different edge (color/music changes, etc.) As far as making it to frightening, I would hate in retrospect to see it changed to be a little more "small kid friendly". I would say that it might be a much better movie for children over 7 or 8 to see. I have to say again that as an adult, I thought it was really great.
One of the features of this movie I thought was clearly outstanding was the musical composition (and songs) that Danny Elfman (Nightmare, Corpse Bride, Simpsons, and a million other compositions) did. One particular song is such an awesome, up-beat, fun song that I really hope Disney puts a push behind it to give it radio airplay. (I'm also a former radio jock in Dover, Athens, Akron, Cleveland, Denver, Fort Collins, and Madrid-Spain) Certainly Elfman has written some great and memorable music ("What's This? - Nightmare Before Christmas), but I'd have to say the music in Robinsons is some of his finest.
I'd sum this all up in saying that, like the Disney tradition, this is story with great writing, great music, a lesson to be learned, and fun in general. It might be a little too much for the very little kids (even Beauty & The Beast or Aladdin had parts that could be frightening to very little kids though). I get (and hope) that Disney stays on the course they've moved with Robinsons. It's nice to see Disney getting back to their roots for story telling, yet moving forward (Shrek-like) with their animation and modern feel.
On a side-note: Ironically, the new opening cartoon (Mikey, Donald & Goofy build a boat cartoon) was made to feel very old by Disney. Audio was clearly intentionally "warbled" (for old-time 1920's/1930's affect). It was shot in 4x4 ration (not TV's 4x3 or Cinemascope) And drawn images were full of dirt-type flaws (specs that were on their drawings and not on the lens of the camera or projector and they "jumped" throughout the short cartoon). Very tradition cartoon which traces back to the Walt Disney roots. Wondered if it hadn't been placed to really show the contrast of the original Disney and the new Disney.
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