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Beowulf & Grendel (2005)

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In Denmark, during the 6th century, Danish king Hrothgar and his warriors kill a troll whose son, Grendel, vows revenge.

Director:

Sturla Gunnarsson

Writers:

Anonymous (epic poem "Beowulf"), Andrew Rai Berzins
1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Hringur Ingvarsson ... Young Grendel
Spencer Wilding ... Grendel's Father
Stellan Skarsgård ... Hrothgar
Ingvar Sigurdsson ... Grendel (as Ingvar E. Sigurdsson)
Gunnar Eyjólfsson Gunnar Eyjólfsson ... Aeschere
Gerard Butler ... Beowulf
Philip Whitchurch ... Fisherman
Ronan Vibert ... Thorkel
Rory McCann ... Breca
Tony Curran ... Hondscioh
Martin Delaney ... Thorfinn
Mark Lewis Mark Lewis ... King Hygelac
Elva Ósk Ólafsdóttir Elva Ósk Ólafsdóttir ... Sea Hag
Ólafur Darri Ólafsson ... Unferth
Steinunn Ólína Þorsteinsdóttir ... Wealtheow (as Steinunn Ólína Thorsteinsdóttir)
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Storyline

The blood-soaked tale of a Norse warrior's battle against the great and murderous troll, Grendel. Heads will roll. Out of allegiance to the King Hrothgar, the much respected Lord of the Danes, Beowulf leads a troop of warriors across the sea to rid a village of the marauding monster. The monster, Grendel, is not a creature of mythic powers, but one of flesh and blood - immense flesh and raging blood, driven by a vengeance from being wronged, while Beowulf, a victorious soldier in his own right, has become increasingly troubled by the hero-myth rising up around his exploits. Beowulf's willingness to kill on behalf of Hrothgar wavers when it becomes clear that the King is more responsible for the troll's rampages than was first apparent. As a soldier, Beowulf is unaccustomed to hesitating. His relationship with the mesmerizing witch, Selma, creates deeper confusion. Swinging his sword at a great, stinking beast is no longer such a simple act. The story is set in barbarous Northern ... Written by thundermgswife72

Plot Summary | Plot Synopsis

Taglines:

The Hero. The Monster. The Myth. See more »


Motion Picture Rating (MPAA)

Rated R for violence, language and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Canada | UK | Iceland | USA | Australia

Language:

English | Latin | Icelandic

Release Date:

9 March 2006 (Thailand) See more »

Also Known As:

A Lenda de Grendel See more »

Filming Locations:

Iceland

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Box Office

Opening Weekend USA:

$4,360, 18 June 2006, Limited Release

Gross USA:

$66,851, 13 August 2006

Cumulative Worldwide Gross:

$92,076, 12 August 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Tony Curran appeared in The 13th Warrior, which was also a retelling of Beowulf's fight with Grendel. See more »

Goofs

At 1:30:25, when Beowulf enters the cave on the beach you can see an orange extension cord in the bottom right corner of the screen. See more »

Quotes

Fisherman: A hero, eh?
[indicates his meal, an eel that was sucking blood out of Beowulf's leg]
Fisherman: A hero for supper.
[laughs]
Fisherman: Well don't my shit shine.
See more »

Connections

Version of Beowulf (1999) See more »

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User Reviews

 
A perhaps nuanced view of the movie?
19 March 2006 | by paterfam001See all my reviews

My motive for seeing this film was mostly curiosity. I read it long ago (in a past almost as dim and distant as the times of the Geats), as a requirement for Grad English, and I wanted to know what a more modern sensibility would make of it. On the whole, I thought the film-maker was confused by it, and was forced by his twenty-first-century prejudices to turn it into something it wasn't. What he did, in fact, was feminize it.

If this had been the result of real artistic vision, it might have worked, but it wasn't; it was done by the book, in a Sensitivity 101 fashion, and inconsistently, so that the result wasn't either mythic or modern. Or not the way the film-makers hoped, anyway. Instead of being a synthesis, it was an uneasy mix.

Oh, it was moderately entertaining to a modern man and woman, the scenery was magnificent and the cinematography splendid - almost a given, these days. The acting, with one important exception, was very good. I'm glad I saw that and not... what was the other one? Snow dogs in Peril? Oh, 'Eight Below'. 'Beowulf and Grendel' was actually about something, and not just 'based on actual events' - the usual witless excuse for a dull and meandering story.

What was Beowulf about? Originally - think about this - the tellers and hearers of this tale lived the dullest and most dangerous existence possible. They were pioneers, always on the jagged edge of starvation, faced with endless toil and unremitting vigilance, just to survive against an unremittingly hostile environment. They must have longed for a single villain, an enemy they could strike at and defeat, once and for all. Thus, Grendel. Grendel is all their fear and drudgery rolled into one. And Beowulf. He is them, all rolled into one, their collective courage and strength.

It might be possible to adapt this to modern ideals, but it has to be re-imagined, which likely means changing time and place to, let's say, the recent old-west, the populace to sodbusters, the Grendel-menace to an unbeatable black-hat gunslinger and the hero to the man in buckskin. You can't just graft modern attitudes onto ancient warriors and pretend you've done something new and significant.

The addition of the witch, Selma, played by my countrywoman Sarah Polley, is the worst of the modernist grafts. She plays the part almost without affect, as if all her actions were the product of cool rational thought, and didn't matter very much, anyway. I picture the director ranting at her in Icelandic, while a very polite translator murmurs, "more intense, please". I hate to bad-mouth one of the more intelligent actresses of our time, and one most loyal to her Canadian Roots, but she really dropped the ball on this one, and it affects the whole movie's credibility. If she'd been crazier, dirtier, more savage, more a part of the threatening Other, the role might have worked. Since she chose to preserve the proprieties of a modern girl --don't flip out, even when a troll is ravishing you -- she sinks the whole enterprise.

Final comment: handsome, amusing, entertaining, but highly flawed.


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