5.6/10
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4 user 3 critic

Fuera del cielo (2006)

In the devastated urban landscape of Mexico City, in the course of a day, the lives of a handful of characters intertwine.
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2 wins & 3 nominations. See more awards »

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Cast

Cast overview:
Demián Bichir ... Malboro (as Demian Bichir)
Armando Hernández Armando Hernández ... Cucú
Damián Alcázar ... Rojas
Dolores Heredia ... Sara
Rafael Inclán Rafael Inclán ... Tio Jesús
Martha Higareda ... Elisa
Isela Vega ... Madre
Ricardo Blume ... Senador García Luna
Rosa María Bianchi ... Señora García Luna
Elizabeth Cervantes ... Rebeca
Itari Marta Itari Marta ... Rocío
Octavio Castro Octavio Castro ... Taradito
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Storyline

Malboro and Cucu, the starring characters, are two brothers who split after the older one, Malboro, went to prison five years. One day he is set free, willing to return to his life. Cucu is the younger brother, who has become a boxer with possible success, if only the beater he keeps somewhere inside, didn't arise in the worst moments. The relationship between the two brothers is somehow ambiguous, there's something unclear that caused Malboro's arrest. To complete the triangle is Uncle Jesus who has been like a father to them; a retired boxer who's always thinking about his past. Sara is Malboro's great love, a woman full of shame and resented after almost leaving her whole life behind to follow Malboro, but he failed in their attempt to run away because that same night, he got arrested by Rojas. Rojas is Sara's husband, a police officer who hates Malboro and will do anything to get him out of his way. The morning in which the story begins Malboro and Cucú visit their mother and make... Written by ARGOS Cine

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for sexuality, language, drug use and violence | See all certifications »
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Details

Country:

Mexico

Language:

Spanish

Release Date:

12 January 2007 (Mexico) See more »

Also Known As:

Beyond the Sky See more »

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Box Office

Cumulative Worldwide Gross:

$3,086,315
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color
See full technical specs »
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Did You Know?

Soundtracks

16 de Febrero
Written by Emmanuel del Real and Chetes
Performed by Chetes and Emmanuel del Real
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User Reviews

 
The End of Novo Cine Mexicano?
27 February 2007 | by ixta_coyotlSee all my reviews

By a strange twist of fate I happened to watch this film right after Francis Ford Coppola's 1983 dud, Rumble Fish. Fuera del Cielo claims to be an original script, but you could have fooled me as it felt like a 75% copy of that earlier story.

Demian Bichir plays the quiet, brooding part of the Motorcycle Boy, here called Marlboro. Mickey Rourke couldn't do much with that part himself, and Bichir provides no more. Perhaps I'm too used to seeing him as an on-the-edge middle class capitalino, but I never bought into him in this part. As his nemesis, Damian Alcazar gives perhaps his most uninspiring performance. I think Alcazar is one of the best actors alive today, on par with de Niro. His problem here is certainly the lame script and poor camera angles from the primerizo director, which have the effect of making him look distant and small. Rafael Inclan as the uncle is a poor replication of his great uncle Miguel (along with Claude Raines one of the great character actors ever), but here he surprises with one of his better performances; its too bad the script leaves him hanging out to dry. The female roles are the best and most interesting: Dolores Heredia (the lead from Santitos) is excellent, and as her fast-blooming daughter, Martha Higareda (Amar Te Duele) steals and enlivens every scene. Finally, Armando Hernandez as el Kuku provides a perversely interesting feel in his most prominent role yet. This script has him crossed somewhere between Matt Dillan's role in Rumble Fish with Eric Roberts' from The Pope of Greenwich Village.

Fuera del Cielo is most interesting in a few odd off moments (Hernandez breaking things in the background, Inclan reflecting on his life, Higareda encountering her sexuality, or Alfedo Garcia's girlfriend Isel Vega posing as a mother). But for the most part, this film just feels worn out, like retreaded tires.

While Mexican cinema saw new directions in 2006 with documentaries, an animated film, and Guillermo del Toro's Laberinto del Fauna, New Mexican Cinema laid two stillborn eggs in the form of this film and Un Mundo Maravilloso. Whether the movement is completely dead or not will probably hinge on Sultanes del Sur, Alejandro Lozano's follow up to Matando Cabos with Tony Dalton and the Catalan Jordi Molla. Stay tuned.


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