During WWII SS officer Kurt Gerstein tries to inform Pope Pius XII about Jews being sent to extermination camps. Young Jesuit priest Riccardo Fontana helps him in the difficult mission to inform the world.
In occupied France during the WWII, a German officer is murdered. The collaborationist Vichy government decides to pin the murder on six petty criminals. Loyal judges are called in to convict them as quickly as possible.
Anton Ludvik, aka Gerard, is vice-minister of Foreign Affairs of Czechoslovakia. He realizes he is watched and followed. One day, he is arrested and put into jail, in solitary confinement. ... See full summary »
An unknown Polish writer can't publish his novels, so his ex-wife decides to help him and get some of the profit for herself. She finally finds a publisher, but there's a strange single condition that could cost the writer his life.
Six people travel in a railroad sleeping car from Marseilles to Paris. Upon their arrival, a woman is found dead in one of the berths. The police investigate the other five passengers, ... See full summary »
Bruno Davert, a chemist working for a paper company, is fired. After three years he's still unemployed, too much competition for the few job position he could fit in his sector. He sent tons of resumes, he attended many qualifying courses, he tried everything but there is nothing to do: no job for him in the industry. The only healthy company in the sector is "Arcadia", but joining it is just an impossible dream. At this point Bruno is desperate. What he could do: to kill all the competitors? Could he?Written by
Costa -Gavras 's body of work does not lack in unity.
Except for his two fist movies,which were thrillers , a romantic tale ("Clair de Femme" ) and a comedy that does not count ("Conseil de Famille' ) all that he has made display social and political concerns.
From his early French classics ("Z "(He is alive) "L'Aveu" ,"Etat de Siège") to his American period ("Missing" "Betrayed" "Music Box" ) to his French comeback ("Amen" ) there is a cohesion which even André Cayatte ,his closest contender in the field,did not reach.
And then "Le Couperet" .Don't be mistaken.It's not that much different from CG's previous efforts.Based on a Donald Westlake novel-a writer whose black humour was fierce- ,it contains lines Henri Jeanson or Michel Audiard would not have disowned.Comedy walks a fine line ,but it walks hand in hand with tragedy .You must watch it seriously to realize what heavy things CG is saying.While making his film verge on parody,he is also putting the French society in a less exalted light than we have been used to seeing it in.Suddenly our world seems frightening (the gas station man who hides a gun in his cash register,the icily impersonal female headhunter -I wish I had had my gun!-)It is really the society of the leave-you-behind and perhaps -I hope not - an omen of things to come in the future.I do not speak of the murders obviously.There are other ways of destroying a human being."When I saw them enter the restaurant ,the German ex-engineer says,I knew that I didn't stand the slightest chance ".
The last picture has (and will be) widely talked about.Actually it reminds me of the ending of Mankiewicz's "All about Eve " when Phoebe tries Eve's crown .When you get to the top,there is nowhere to go but down.
A film noir,a farce,a psychological drama ,a social satire and a movie where CG talks politics.One of his most accessible and one of his strongest works.At seventy plus,CG is as young as the reporter who bothered the fascists in "Z".He is abetted by Jose Garcia on top of his game.
Like this?Try these.....
"Extension du domaine de la lutte" Philippe Harel 1998
"L'adversaire" Nicole Garcia 2002
"Working girl" Mike Nichols 1988
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