6.1/10
196
3 user 3 critic

The Good Boy (2005)

Segundo asalto (original title)
The story follows Angel (Gonz lez), twenty years old and barely employed, a man of few friends and a not too promising boxing career. Angel and his mother scrape out a living in Madrid. ... See full synopsis »

Director:

Daniel Cebrián

Writers:

Daniel Cebrián (screenplay), Imanol Uribe (screenplay)
Reviews
3 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Darío Grandinetti ... Vidal
Álex González ... Ángel
Eva Marciel ... Alicia
Laura Aparicio Laura Aparicio ... Pilar
Alberto Ferreiro ... Dienteputo
Maru Valdivielso ... Estrella
Pepo Oliva ... Paco "El Tigre"
Francesc Orella ... Mendiri
Mariano Peña Mariano Peña ... Padre de 'Dienteputo'
Gustavo Greciano Gustavo Greciano
Ximena Suárez Ximena Suárez
Luchi López Luchi López
Juan Inciarte Juan Inciarte ... (as Jon Inciarte)
Bill Holden Bill Holden
Amaranta Osorio Amaranta Osorio
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Storyline

The story follows Angel (Gonz lez), twenty years old and barely employed, a man of few friends and a not too promising boxing career. Angel and his mother scrape out a living in Madrid. Enter Vidal, a professional bank robber and a real charmer, just back from Argentina. A former boxer with past ties to Angel's mother and his deceased father, he offers Angel a way out of his dead-end life. Along the way, Angel will have to decide who he truly wants to be and, more importantly, what he's willing to give up.

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Genres:

Drama | Romance

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Details

Official Sites:

Official site [Spain]

Country:

Spain

Language:

Spanish

Release Date:

11 November 2005 (Spain) See more »

Also Known As:

The Good Boy See more »

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Box Office

Budget:

€19,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Soundtracks

A pie de página
Lyrics by Roberto Lázaro Ventura, Carlos Belinchón Lanzas, Francisco J. Ramos Sánchez and Yves Luabeys Sombolay
Music by Roberto Lázaro Ventura
Performed by Verdaderos Kreyentes
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User Reviews

 
Choices
26 October 2008 | by gradyharpSee all my reviews

THE GOOD BOY ( aka SEGUNDO ASALTO and ROUND TWO) is a superb little film from Spain, written by Imanol Uribe based on a story by director Daniel Cebrián. For some reason the film was marketed in the US as a gay themed movie, probably because of the poster/DVD jacket of star Álex González' finely trained torso. Viewers should be alerted that this is not a film with a gay theme but instead a film that focuses on the universal theme of coming of age, this particular time in the seedy sector of South Madrid. With a cast of fine actors well directed by Cebrián this is a superbly woven tale that makes no judgments, but instead encourages the viewer to participate in viewing the struggles of a young lad who wants to make a better life for himself and his single mother.

Angel (Álex González) devotes his time and hopes for success as a boxer under the guidance of his father-figure trainer Paco "El Tigre" (Pepe Oliva), a man who is idealistic and wants Angel to win the big fights when he is physically ready, not when the fight can be 'bought'. Money struggles at home and emotional struggles set the stage for the entrance on Vidal (Darío Grandinetti), a mysterious ex-boxer who has returned to Spain from Argentina, has occult bonds with Angel's family, and introduces Angel to the underground world of crime. Angle's needs to provide for his mother and to attempt to rise in the world encourage him to participate in a bank robbery with Vidal. Once bitten by the bug of easy money Angel bonds with Vidal, brings in his best friend to join in the easy money , and marches toward what will become a tragedy. How Angel rationalizes his diversion from his passion for the boxing ring to the seductive world of Vidal's design leads to an ending of the film that is left open to the viewer's decision as to Angel's future. The final scene is one of great beauty and emotional power - boxing in the ring becomes a subtle metaphor.

Boasting a strong cast of actors, this film succeeds on many levels: it is a solid story with an open ending, it is beautifully photographed by Gonzalo F. Berridi to heighten the mood of the film, and the accompanying musical score by Iván Miguélez maintains the flavor of the sparing. This is a very fine Spanish film that deserves a wide audience. In Spanish with English subtitles. Grady Harp


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