6.4/10
197
2 user 24 critic

Guest of Cindy Sherman (2008)

Not Rated | | Documentary | April 2008 (USA)
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2:30 | Trailer
A documentary on art-scene commentator Paul Hasegawa-Overacker's relationship with enigmatic photographer Cindy Sherman.
1 nomination. See more awards »

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Cast

Credited cast:
Cindy Sherman Cindy Sherman ... Herself
John Waters ... Himself
Eric Bogosian ... Himself
Danny DeVito ... Himself
Jeanne Tripplehorn ... Herself
Molly Ringwald ... Herself
Carol Kane ... Herself
Eric Fischl Eric Fischl ... Himself
Christine Vachon ... Herself
Roberta Smith Roberta Smith ... Herself
Robert Longo ... Himself
Eli Broad Eli Broad ... Himself
Ingrid Sischy ... Herself
Christopher Trela Christopher Trela ... Himself
Rest of cast listed alphabetically:
Bronwyn Carlton Bronwyn Carlton ... Herself
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Storyline

Videographer Paul H-O must confront issues of ego and identity when he begins a relationship with the reclusive Cindy Sherman. With unprecedented access, the documentary places us in the company of the artist and offers a critique of the ever-inflated New York art market and the culture of celebrity. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Documentary

Certificate:

Not Rated
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

April 2008 (USA) See more »

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Box Office

Opening Weekend USA:

$7,685, 29 March 2009

Gross USA:

$27,052

Cumulative Worldwide Gross:

$27,052
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Quotes

John Waters: I love the elitism of the art world. Art for the people is a terrible idea.
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User Reviews

 
Dissolving selves
2 June 2016 | by ThurstonHungerSee all my reviews

Surprised this has only 1 review. It's a fine documentary, sure with shades of solipsism, but will raise thoughts of art, artifice and authenticity. Oh and a great shot at or shout out to the old all-access cable TV world! Which was like pre-youtube for odd yahoos.

Sherman's work, which honestly I was minimally aware of, is interesting to see, as well as getting a sort of secret Salinger-esque look at Sherman herself. Are her photos self-involved or self-dissolved. Feels like both. But she emerges in her scenes with Paul H-O making this film almost feel like a love story directed by Michel Gondry.

To a degree, both Sherman and Paul strike me as the kind of "have the lobster" people who stumble into success. Just sort of see the world as an opportunity opening, granted they appear to take opposite entrances. One introverted the other extremely extroverted.

Anyways, I think this film deserves more attention. Possibly from you, and certainly from people who film themselves a lot. This might encourage you to keep doing so.


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