My name is Georges Figon. Okay I'm dead but, being the talkative kind, death isn't going to stop me from speaking. Yes, I'm a shady individual. Sure I have links with the underworld and ...
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Nathalie is together with Antoine, who really loves her, despite of her obvious tendency go get away from him. Eric, the former partner of Nathalie, does not want to be with her anymore, ... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
The twenty-something Betty comes to a remote small town and strikes a friendship with the fourteen-year old local girl Lea, who is fascinated by her new friend's tales of partying and ... See full summary »
A godforsaken mountain village is the only home that a young football player, a miser peasant and a fat girl have. This isolated part of the country finds itself in the middle of the ... See full summary »
Latiaozi was a Farmer who made a living with shepherding with his wife Jinzhizi. One day, their only son had been condemned for the crime. The couple scrabbled up 50000 Yuan to ask Li Datou... See full summary »
Somewhere deep in a forest of Bhutan, there is a gathering every twelve years of men and women chosen by the Old Man to enjoy a few days of anonymity. Masked silhouettes participate in ... See full summary »
My name is Georges Figon. Okay I'm dead but, being the talkative kind, death isn't going to stop me from speaking. Yes, I'm a shady individual. Sure I have links with the underworld and other dark forces. But luring Ben Barka, the Moroccan opposition leader, into a trap was mainly an opportunity for me to become a great movie producer. Nothing political about it. Just the big money. And my girlfriend, actress Anne-Marie Coffinet, will become a star thanks to me. I have already been able to sign Georges Franju as the director,Marguerite Duras as the scriptwriter and Ben Barka as the technical advisor of a film that will never be. What I didn't know is that I had hired the Grim Reaper as the Nemesis...Written by
One of the characters mentions reading 'Buck John'. These are a series of western adventures published in France, with the full title 'Buck John le bayard de Far West'. The English versions were published under the title 'Buck Jones' by Cowboy Comics (a Fleetway publication). They are based on the silent movie star, Buck Jones. Prior to his death, he had given permission for his name to be used in a comic book series. The series ran until around 1953 (USA) and was a important source of income for his widow Odille. See more »
When Figon shows Anne-Marie his gun, the position of his hand on the gun varies depending up whether the shot is from her point of view or his. See more »
it takes courage to make a stylish film nowadays, especially about a neglected -nearly obsolete today shall I say- political scandal. Through a clever use of newsreel footage, it brings us to a crucial thought: the 60s attended the birth of some major humanist leaders from Che Guevara, Ho Chi Min, Martin Luther King to Ben Barka who were mostly to be assassinated. Its highly-charged atmosphere and frantic pace reminded me of some Billy Wilder film noir pictures of whom the director must have definitely been under the influence,let's say the voice-off intro of Charles Berling talking about his story while we're seeing him lying dead on the floor of his apartment sends you directly to Sunset Bld. -without the bloody swimming-pool, the chaptered montage winks at Fortune Cookie,... which is overly rejoicing not only because of that Wilderesque presence but it shows that somehow some directors still bears in mind that movies -whatever their subject- have to be entertaining in a sense that they'll procure pleasure to its viewer. A lot could be said about the effort of historical reenactment: in spite of its obviously low budget -see Berling's mustache and fake scar, it's very efficient thanks to its brilliant casting - Jean-Pierre Léaud as a paranoid Georges Franju, an impressive Simon Abkarian as Ben Barka, only Josianne Balasko seems not very convincing in an obese Marguerite Duras who was still a gorgeous woman at that time- and very touching details of that times that goes from the cramped telephone booth to vintage cigarettes boxes.
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