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Hancock (2008)

PG-13 | | Action, Drama, Fantasy | 2 July 2008 (USA)
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Hancock is a superhero whose ill considered behavior regularly causes damage in the millions. He changes when the person he saves helps him improve his public image.

Director:

Peter Berg

Writers:

Vincent Ngo (as Vy Vincent Ngo), Vince Gilligan
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Popularity
2,298 ( 73)
4 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Will Smith ... John Hancock
Charlize Theron ... Mary
Jason Bateman ... Ray
Jae Head ... Aaron
Eddie Marsan ... Red
David Mattey ... Man Mountain
Maetrix Fitten ... Matrix
Thomas Lennon ... Mike
Johnny Galecki ... Jeremy
Hayley Marie Norman ... Hottie
Dorothy Cecchi Dorothy Cecchi ... Woman in Dive Bar
Michelle Lemon Michelle Lemon ... Girl at Bus Bench
Akiva Goldsman ... Executive
Michael Mann ... Executive
Brad Leland ... Executive
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Storyline

The powerful superhero John Hancock has become a joke because of his alcoholism and clumsiness. He has also become the most hated man in Los Angeles. Though he has saved many lives, he also destroyed a lot of property, costing the city millions every time he goes into action. When he saves the life of PR expert Ray Embrey from an oncoming train, the executive is thankful and believes he can restore Hancock's image as a true superhero. He brings the anti-hero home for dinner and introduces him to his son Aaron, a big fan, and to his wife, Mary. But for some mysterious reason Mary doesn't want Hancock anywhere near her or her family. Written by Rob Marshall, Chicago, IL

Plot Summary | Plot Synopsis

Taglines:

He is saving the world whether we like it or not. See more »

Genres:

Action | Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for some intense sequences of sci-fi action and violence, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Japanese

Release Date:

2 July 2008 (USA) See more »

Also Known As:

Tonight, He Comes See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend USA:

$62,603,879, 6 July 2008, Wide Release

Gross USA:

$227,946,274, 7 September 2008

Cumulative Worldwide Gross:

$624,386,746
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (unrated)

Sound Mix:

SDDS | DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Before the film became a Will Smith vehicle, George Clooney, Ben Affleck, Matt Damon, and Leonardo DiCaprio (among others) were all considered for the title character over the years. See more »

Goofs

When Hancock stopped the train, the impact speed should've seriously injured or killed the locomotive engineer. See more »

Quotes

[first lines]
Police Officer: All units. All units. Code 3 pursuit of 2-11 white SUV heading east on Alameda service road. Suspects: three Asian males. Request back-up immediately. Be advised. Shots fired. Shots fired.
See more »

Crazy Credits

A scene after the credits start to roll. See more »

Alternate Versions

An extended cut was released on DVD and Blu-Ray featuring several additional and modified scenes. The additional scenes include, but are not limited to: Hancock bringing a girl to his trailer to have sex, Mary Embrey driving to Hancock's trailer instead of flying there, and Hancock getting off a prison bus while chained to other prisoners whom he drags behind him. See more »

Connections

Referenced in The Greatest Movie Ever Sold (2011) See more »

Soundtracks

I'm In The Mood
Written by Bernard Besman and John Lee Hooker
Performed by John Lee Hooker
Courtesy of Geffen Records
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

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User Reviews

 
Fix the final Act PLEASE!!!
8 June 2008 | by cmcmanus60See all my reviews

I also was at the test screening in Peoria AZ. The film was spot on for the first hour. Jokes were hitting left and right, Smith and Bateman displayed good chemistry, and the special effects, though not always finished, were eye popping nonetheless.

Without giving it away, the final half hour was flat, straying from the comical nature that had preceded it and instead tried to get philosophical and introduce a week paint'by'numbers villain. I spoke with director Peter Berg after the film and he seemed fully aware of the issues relating to the final act. Hopefully the recent "re shoot" will polish up that last act, making Hancock one of the must see blockbusters of the summer. In the form I saw it; it still has a ways to go.


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