Set in the Australian wheat-belt in 1968, SEPTEMBER is a character driven film about two 15 year old boys - one black, one white - whose friendship begins to fall apart under the stress of ... See full summary »
Robert tries to rekindle a relationship with his teenage daughters Emma and Zoe on their last holiday together before the divorce. He slowly begins to realize that not only has he lost ... See full summary »
Cosette lives a sheltered, ignorant life in an isolated world with her alternative-lifestyle father Jim. When Jim suddenly dies, Cosette is left to fend for herself. Scared and hungry, she ... See full summary »
Why does a 19 year-old girl plot to kill her own father? Katrina Skinner is stuck in suburbia with her toddler daughter and her devoted dad. Her brother Danny is in jail for life for murder. Her mother abandoned her years ago. The neighbors are scared of her. The police can't keep up with her. Nobody can control her but everybody's trying. Her dad won't mind his own business. Katrina misses her brother. She needs money for his appeal. She's bored and she's sick of living with her dad. She's not going to work a day in her life and she knows her dad's not going to help her financially anymore. She's first in line for the family inheritance. All she needs to do now is convince one of her lovers to do the deed and she's never had much trouble getting men to do what she wants. All for the love of her brother. It's John Skinner's funeral, inside the Golden Grove Crematorium. Kat sits on the front pew between her cheeky fiancé Rusty and her toddler daughter Bailee. Her mobile phone ...Written by
Alice Bell was Emily Barclay's body double for the film. Driving, texting and snorting cornflour instead of speed. See more »
It wasn't us that called welfare. I swear. It must have been your dad.
You stupid bitch. If you ever call my dad again, I'll come after you. I'll kill you. Your dad. Your stupid fuckin sister and your nan.
I don't have a nan.
Well that's lucky for you then isn't it?
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A darkly comic tale of desperation in the land of discount bourbon and Holden versus Ford. I'm somewhat at a loss to understand the negative reaction in some of the comments posted; understanding the foibles and peculiarities of Australian suburbia is important to seeing the film in its correct context. Emily Barclay sinks her teeth into Katrina with such enthusiasm that as she careens across the landscape with baby in tow over gullible men, naive women, impotent police and her well-meaning father we're tempted more than once to suspend the moral judgement we should be making and simply sit back to enjoy the ride. Questions are asked of the audience as much as of the film's characters, making us uneasy and showing Katrina's real power to manipulate. How much does the need for excitement in our lives stop us from making decisions about what is right or wrong? Is Bailee the get-out-of-jail free card that entitles Katrina to salvation as we find that crime sometimes does pay? A fresh, upfront production that along with recent films like "Kenny" and "Footy Legends" lends confidence to the recovery of the Australian movie industry from the ball and chain of film-school textbook orthodoxy.
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