Tom returns to his hometown on the tenth anniversary of the Valentine's night massacre that claimed the lives of 22 people. Instead of a homecoming, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one that believes he's innocent.
Little Billy witness his parents getting killed by Santa after being warned by his senile grandpa that Santa punishes those who are naughty. Now Billy is 18, and out of the orphanage, and he has just become Santa, himself.
Charles E. Sellier Jr.
Black Christmas: The Night Billy Came Home is a non-profit, feature length fan film, based in a world of reality where the sorority of Phi Kappa Sigma is being stalked and preyed upon an unknown killer.
In the 70's, the boy Billy is born with yellow skin due to a liver disease and his dysfunctional mother rejects him. Later he witnesses his mother and her lover killing his beloved father and burying him in the basement of their house, and he is locked in the attic alone along his childhood. When he is a teenager, he is sexually abused by his mother and she has a baby girl called Agnes. During Christmas, the deranged Billy escapes from his imprisonment, kills his mother and stepfather and blinds one eye of Agnes. He is declared insane and his sister is sent to an orphanage. In the present days, Billy escapes from the Clark Sanatorium to spend Christmas with his family. Meanwhile, his former house is the Delta Alpha Kappa sorority house in the campus of the Clement University, and the housemother and the sisters Kelli Presley, Dana, Lauren Hannon, Megan, Heather, Megan Helms, Melissa and Eve Agnew are preparing the house for Christmas party in a stormy night while Clair Crosby is in ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Michelle Trachtenberg and Katie Cassidy would go on to collaborate again on Gossip Girl (2007) and The Scribbler (2014). See more »
When Ms. Mac is first telling the story of Billy, she eats a marshmallow that she just cooked in the fire. There is no way that the marshmallow and the tongs that just came out of the fire place wouldn't have burned her mouth. See more »
[hands her gift]
Merry Christmas, Agnes.
Agnes - Age 8:
[loud noises come from upstairs]
Is that Santa's reindeer?
There's nothing up there. Now, do you want a Christmas cookie? You're my cookie, and I could gobble you up!
See more »
The final credits include the message "Goodbye, Shirley," in tribute to composer Shirley Walker, a frequent collaborator with director Glen Morgan. Walker passed away in November 2006, before "Black Christmas"' release. See more »
The unrated DVD adds the following scenes:
1. There is an extra shot of Agnes under Clair's bed in the opening scene.
2. When the security guard is killed in the nut house, there's an extra shot of Billy climbing up from under his bed, and another shot of blood dripping from the guard's neck.
3. In Megan's death scene, there is an extra shot that shows the weapon Agnes stabs Megan with.
4. The phone call scenes are more brutal.
5. There's a completely new scene that shows Lauren's death.
In the scene, Billy and Agnes sneak into Lauren's room while Lauren's asleep.
Billy starts touching her under the covers and Lauren wakes up and she sees the glass unicorn on her nigh stand.
She tries to stab Billy with it, but nobody's there.
But then Agnes grabs Lauren by her throat and she stabs her with the unicorn in her eye. (off screen)
6. When Kyle is killed, there is a little more blood gushing out of his head.
7. At the ending, there is an extra shot of Leigh standing next to a closed door in the hospital hallway and we see Billy walking past it in the shadows, foreshadowing something bad is going to happen.
Boo these constant remakes filling modern horror features well actually to tell the truth, for most part I actually didn't mind this recent remake (although some like to call these a re-imaginative) of the 1974 Canadian seasonal slasher 'Black Christmas', which was directed by Bob Clark. Don't get me wrong, as I do adore the original with it being one of my all-time favourite horror outings. I'm sure I will find myself in a very tiny minority, however this installment while inferior, remained mildly amusing, up until its bonkers last twenty minutes of silly revelations and one climax too many. The tone is a lot different, while the original was creepy and suspense driven with plenty of mystery behind the killer. On this occasion we get a considerably gruesome and unpleasant shocker (which can be a nasty piece of work), which goes on to over-explain the origin and motives in flashbacks of our killer Billy. Still everything does have that one-dimensional feel (mainly surrounding the female victims) and the red herrings don't work because everything is shoved in your face that's its hard not to pick up. I liked the ambiguity the original went for, as for the remake I could live with the angle it headed for, but it didn't feel as unnerving as his character is painted out to be. The deaths scenes are over-the-top with its blood splatter and jolts, relating to a by-the-numbers body count formula of characters showing up to meet the meat grinder. The performances feel forced, due to a clash of (lacking) personalities and a rather self-knowing script. More time is spent delving into the billy character, than the girls. The headstrong cast featuring Katie Cassidy, Kristen Cloke, Michelle Trachtenberg, Crystal Lowe, Mary Elizabeth Winstead, Lacey Chabert, Oliver Hudson and the lovely Andrea Martin give potent efforts even with their sketchy drawings. Director Glen Morgan (who also penned the overdone and contrived screenplay) adapts a shinny gloss to the visuals, capturing the neon lighting with a stylish colour scheme of the festive season, but also asserting a bleakly cold winter backdrop and an underlining darkness of impending doom. His pacing is quite spot on, with curious camera angles showing up and a clunky score that's a bit too much with the simple Christmas carols working out better. Overcooked, but a reasonably lukewarm sled ride.
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