Black Christmas: The Night Billy Came Home is a non-profit, feature length fan film, based in a world of reality where the sorority of Phi Kappa Sigma is being stalked and preyed upon an unknown killer.
Tom returns to his hometown on the tenth anniversary of the Valentine's night massacre that claimed the lives of 22 people. Instead of a homecoming, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one that believes he's innocent.
Little Billy witness his parents getting killed by Santa after being warned by his senile grandpa that Santa punishes those who are naughty. Now Billy is 18, and out of the orphanage, and he has just become Santa, himself.
Charles E. Sellier Jr.
In the 70's, the boy Billy is born with yellow skin due to a liver disease and his dysfunctional mother rejects him. Later he witnesses his mother and her lover killing his beloved father and burying him in the basement of their house, and he is locked in the attic alone along his childhood. When he is a teenager, he is sexually abused by his mother and she has a baby girl called Agnes. During Christmas, the deranged Billy escapes from his imprisonment, kills his mother and stepfather and blinds one eye of Agnes. He is declared insane and his sister is sent to an orphanage. In the present days, Billy escapes from the Clark Sanatorium to spend Christmas with his family. Meanwhile, his former house is the Delta Alpha Kappa sorority house in the campus of the Clement University, and the housemother and the sisters Kelli Presley, Dana, Lauren Hannon, Megan, Heather, Megan Helms, Melissa and Eve Agnew are preparing the house for Christmas party in a stormy night while Clair Crosby is in ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film was marketed as a "Final Destination" movie in Japan. See more »
The Canadian short-print blu-ray contains a typo, the back cover states that there are only 2 alternate endings available. However, when playing the special feature it can be seen that all 3 existing endings are available. See more »
The final credits include the message "Goodbye, Shirley," in tribute to composer Shirley Walker, a frequent collaborator with director Glen Morgan. Walker passed away in November 2006, before "Black Christmas"' release. See more »
The unrated DVD adds the following scenes:
1. There is an extra shot of Agnes under Clair's bed in the opening scene.
2. When the security guard is killed in the nut house, there's an extra shot of Billy climbing up from under his bed, and another shot of blood dripping from the guard's neck.
3. In Megan's death scene, there is an extra shot that shows the weapon Agnes stabs Megan with.
4. The phone call scenes are more brutal.
5. There's a completely new scene that shows Lauren's death.
In the scene, Billy and Agnes sneak into Lauren's room while Lauren's asleep.
Billy starts touching her under the covers and Lauren wakes up and she sees the glass unicorn on her nigh stand.
She tries to stab Billy with it, but nobody's there.
But then Agnes grabs Lauren by her throat and she stabs her with the unicorn in her eye. (off screen)
6. When Kyle is killed, there is a little more blood gushing out of his head.
7. At the ending, there is an extra shot of Leigh standing next to a closed door in the hospital hallway and we see Billy walking past it in the shadows, foreshadowing something bad is going to happen.
Some movies are very confident in their ability to do many things right, thus ensuring an intriguing experience. A movie like "Black Christmas," however, is mostly confident in its ability to do many things wrong, yet still remain watchable on some bizarre level. Needless to say, it's an overhaul of the seminal 1974 slasher of the same name, in which a lonely sorority house is besieged by a killer making obscene phone-calls from the attic over the holidays. The 2006 version takes this premise and attempts to build a backstory around murderer Billy Lentz, who remained a shadowy specter throughout Bob Clark's film. I have to give writer-director Glen Morgan credit: while this bit of character development is wildly uneven (including giving Billy a sister-in-madness), it is consistent with the wildly inconsistent rest of the film. Morgan brought a strong sense of macabre humor and visual style (I dare call it "Burtonesuqe") to his exceptional remake of "Willard" (helped by Crispin Glover's delightfully wacky performance), but his stylistic leanings are simply the wrong match for a "Black Christmas" remake. There is not a single suspenseful scene to be found, and the violence is so exaggerated that it defuses any horrific effect (seriously, a killer who eats eyeballs?); additionally, the characters are so ill-defined that it's hard to keep track of who's who (had the number of girls been whittled down the point where they had actual personalities, we might have actually given a damn about them). And, for a slasher film coming in the wake of "Scream" and its kindred, "Black Christmas" just shows a general lack of common sense when an obvious threat is lurking (can you really feel sorry for a security guard who lingers in a maniac's room long enough to get knocked off?). But in an odd way, "Black Christmas" avoids the oblivion of crappy horror remakes due to Morgan's impassioned, assured sense of visual stylethat being said, it's nowhere near as good as its predecessor.
4.5 out of 10
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