Sokol and Lorna, two Albanian emigrants in Belgium, dream of leaving their dreary jobs to set up a snack bar. They need money, and a permanent resident status. Claudy is a junkie - he needs... See full summary »
Roger uses his son Igor to ruthlessly traffic and exploit undocumented immigrants. When one of the immigrants is killed, Igor is guilt-ridden and wants to care for the dead man's family against his father's orders.
Liège, Belgium. Sandra is a factory worker who discovers that her workmates have opted for a EUR1,000 bonus in exchange for her dismissal. She has only a weekend to convince her colleagues to give up their bonuses in order to keep her job.
Young, unmarried couple Sonia and Bruno have just had a son, who Sonia names Jimmy. Bruno, who did not visit her while she was in the hospital, scoffs at the notion of what he considers traditional employment, instead eking out a living primarily on petty crimes committed with his fourteen year old associate, Steve. He even sublets Sonia's small apartment while she is in the hospital, he sleeping either in the homeless shelter or squatting in what he calls his "shack" down by the river. On the day after Sonia gets out of the hospital, she allows Bruno to take Jimmy for a walk while she stands in line for her benefits. On that walk, Bruno makes the unilateral decision to sell Jimmy to a black market adoption agency. Upon finding out what Bruno has done, Sonia has a breakdown and falls unconscious. Fearing that Sonia will turn him over to the police when she regains consciousness, Bruno tries to get Jimmy back while he leaves Sonia in the hospital in her unconscious state. But Bruno ...Written by
L'Infant (The child), the new Dardenne movie, awarded with two Palms D' Or, is located in Seraing, the probably most marginal city of Belgium. A superb Jérémie Renier plays Bruno, an unemployed father, living from day to day to survive. He robs people and does not seem to have any remorse about what he 's doing. He even goes as far that he sells Jimmy, the baby (l'enfant). The reaction of the mother, a great Déborah François, makes him think and he tries to make it up to her. So far the story, this is a typical Dardenne movie. Same style, same sort of filming, not even music. Just hard reality, that's what they wanted to show the audience. What we get is a raw, sober movie. I did not miss the music at all, but it still misses something. The film does not absorb your full attention, like lots of people say. 'Lilja 4-ever', a Lukas Moodysson socio-drama, is way more touching than these characters in L'Infant. Not the greatest Belgian movie ever, but an enjoyable one. 8,5/10
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